The deeper we delve into the digital direction for music production, the more we seem to crave that analog, unpredictable, warm treatment for our sounds. Joe Albano shares 6 ways to achieve this.
Finding it hard to tame the sounds in your mix? Hitting your head against a sonic brick wall? Here's some timely advice from Paul Wickliffe on using de-essers, side chain limiters and more to help.
Shooting a band using multiple cameras with multi tracked audio is within everyone's grasp now. Matt Vanacoro, master musician, photographer and trainer, shows you how.
It's easy to get stuck using the same tools every day. Using new tools and processes can lead to reinvigorating your creations. Here's 5 tools every sound designer should check out.
DJing on the go is a real possibility thanks to Native Instruments' Traktor DJ for iOS. And one of the most convenient features, Metadata Sync, allows you to share info between Traktor Pro & DJ.
In part 3/3 of this popular series exploring the ins and outs of microphones, Matt Loel T Hepworth examines what makes ribbon microphones sound fantastic. [Includes video demo too].
The iPad is fast becoming a fully featured platform for audio production. We give you the lowdown on how it could even become your main studio tool'¦
Ever played with a Wacom graphic tablet for Photoshop/graphic design? If you have one to hand, now's the time to use it for music production as a MIDI controller! Keith Crusher shows you how.
When there are so many stellar software plug-in amp emulations why would you want to record guitar using a real hardware amplifier? Rich Tozzoli rips up the rule book and explains. [with audio]
Once your mix is finished you may decide to practice the dark art of mastering yourself. Interested? Then this tutorial by Matt Vanacoro will guide you safely through the process.
It's time to stand up for our rights as studio musicians and producers! It's time to say NO to buzzing and NO to humming. Keith Crusher explains how to kick noise out of your studio for good.
No one likes a muddy, cluttered mix. Rich Tozzoli shows how to use filtering (EQ) to get those guitars shining through. (audio examples included).
Whether you're a musician, artist, videographer'¦ in fact no matter who you are, good data management practice can save you on headaches further down the road. Paul Wickliffe explains how.
You might not think that recording and mixing the soothing sounds of Tibetan bowls will present much of challenge'¦ Lynda Arnold explains how to take the stress out of it in this insightful article.
The tools for authentic sounding orchestras are here. But, that automatically make your string sections sound good! Jay Asher shares six tips to help make your orchestral compositions unique.