Sometimes recording acoustic guitars and finding that sweet spot can be tricky. Joe Albano explains how to improve the quality of your recordings depending on the pickups used in the mix.
With some choice hardware and plug-ins, even when you're out of the studio you can get some truly excellent sounding guitars. Rich Tozzoli uses his UA Apollo and 3 stomp boxes in UAD v8 to good effect
Nobody will promote your DJ mixes for you. If you want to reach out to a wider audience and engage with your fans creating a DJ podcast is an effective solution. Sara Simms shares the knowledge.
Are you into creating dub, trap or long echoes in your beats, or are you after some glitchy effects for your drum patterns? G. W. Childs shows how in this Korg volca beats tutorial video.
Ableton Live, Ableton Push, Analog Elektron Rytm. All three are capable and great by themselves. But, what happens when you sync them all together? Timo Preece gets inspired in this tutorial.
In the final part of our series on studio acoustics Joe Albano digs deep into soundproofing from both a recording and mixing perspective. Essential reading for all small and home studio owners.
If you use Native Instruments' Komplete you may wonder whether how useful the Komplete Kontrol hardware could be. Matt Vanacoro shows workflows using the keyboard which make browsing sounds a breeze.
Are you distracted by too many choices when it comes to mapping your MIDI controller to your DAW? Exerting too much effort on non-musical tasks? Timo Preece explores auto and manual mapping in-depth.
Part 4 of this informative series on the science of studio acoustics sees Joe Albano continue to explore reflections, and in particular flutter echoes and ambience and how to solve this problem.
It's official, using hardware synths is Ã¼ber cool. But at some stage you're going to want to hook them up, sync them, record them, mix them in your software-based DAW. Matt Vanacoro shows how.
In part 3 of our series of the science of studio acoustics, Joe Albano delves into issues related to mid- and high-frequency reflections.
Apple's new Force Touch trackpad features force sensors so you can click anywhere and receive haptic feedback wherever your finger is on the surface. So how could this be useful for music making?
Got Push? Got Ableton Live? Got a glitch-hop beat in your head that needs to come out? Don't want to touch that mouse or trackpad? Perfect! Read this!! If only Push could control web browsers too...
This mini-series sees Joe Albano demystifing the science of studio acoustics. In Part 2 we look at low-frequency standing waves which can get in the way of getting a well balanced mix.
Everyone loves their Korg Volca Beats (who wouldn't love this analog drum machine?) G. W. Childs shows how to sync it with Ableton Live and pan the drum sounds for a fuller, more professional mix.