Admit it, you've been using your eyes as much as you ears when producing music recently. It's hard not to with the tools we have. Ian Graham shares tips to help music making become more ear-based.
Most of the world now uses 440 Hz as the standard pitch tuning. However, this has been a relatively recent standard, and 432 Hz is making a comeback. Lynda Arnold explores why with sound examples.
Your room can have a huge impact on how your mix sounds, which is why we often acoustically treat our rooms and set up monitors etc to compensate. Here are 5 ways to measure your room's acoustics.
How high should audio engineers go? (We're talking about high-resolution audio of course!) Joe Albano explores one of the digital theory behind a divisive topic amongst music and audio professionals.
It's surprising how many producers stick with their DAWs built-in EQ plugin. There's no harm in it, but Joe Albano explains why just trying different EQ plugins results in different flavors...
Why would you consider recording with effect plug-ins applied? There's engineers out there who do so routinely. Matt Vanacoro explores why using a UA Apollo with near zero latency to good effect.
OK. So, you don't need to be a god to play guitar well... and here Rich Tozzoli shares tips and techniques on how to approach shredding your axe successfully whether in the studio or playing live.
Synthesis has come a long way since its humble beginnings and certain vintage synths are still influential on the sounds we listen to today. Here are 11 synths that have stood the test of time.
Setting up a multi-mic recording of a drum kit is complex, so it’s no surprise that there are any number of things that can trip up an intrepid recordist. Here are 6 potential pitfalls to avoid.
Bring together the best of both worlds: the cool volca beats hardware drum machine and the DAW that needs no introduction, Ableton Live, for a medley of creative ways to create original beats.
If you're a sound designer who loves the idea of capturing sounds from unusual objects and abandoned spaces then you'll really enjoy this video course from Timo Preece where he captures Berlin!
The Roland AIRA TR-8 and TB-3 demand to be played, tweaked and performed with. In this tutorial for beginner users, Sara Simms shows how to create an Acid House beat and bassline using these machines.
When you next rent a recording studio it pays to ask a few questions first so that you can concentrate on the music side of things when you get there and leave the other stuff to the studio.
One of the keys to a successful recording session is an optimized monitor mix for the recording musician. With the right balance you could transform an OK tracking session into something special.
A new, or old, synth workstation keyboard can be a little daunting to get your head around... Here's some useful tips on how to program a music keyboard in 5 simple steps.