Sometimes a simple feature like the file browser can make a program a veritable hot bed for creative expression. Learn how Ableton's file browser can free up your left brain today!
Want to breathe more life into your sampled synths in Ableton Live? Do they lack that certain something? G. W. Childs takes you on a super journey where big is better!
Learn how to use Dummy Clips in Ableton Live's Session View to trigger a variety of mind-bending effects. Then use these triggered clips to build interesting, non-linear, arrangements.
What's the big fuss about using multitimbral instruments in Ableton Live? Amongst others: more CPU efficient, better mixing potential. Rory Dow shows how to set this up.
Ableton has excellent MIDI editing tools for the creative musician. Period. In this article Gary Hiebner shows how to mangle and manipulate MIDI using Racks in Ableton Live.
Unless you've been living under a rock this past month (or just returned from an internet-free vacation) you'll have heard that Ableton released a 64-bit version of Live. So, what are the benefits?
Get your groove on with Rory Dow as he shows how to bring essential swing to your tracks in Ableton Live.
In part 3 series on producing Hip Hop in Ableton Live, G. W. Childs shows how to make your own beats using Ableton Live's drum rack in an unusual way.
In part 2 of this 4 part series on producing Hip Hop in Ableton Live, G. W. Childs explains the process and shows how to build the initial loop. Stay tuned for part 4 in this series coming soon!
In part 1 of this series on producing Hip Hop in Ableton Live, G. W. Childs explains the process and shows how to build the initial loop. Stay tuned for part 2 in this series coming soon!
Get your groove on with Rory Dow as he taps you through the process of chopping up beats in Ableton Live MPC-style.
Adding some distortion to your sounds can be done directly in Ableton using Redux. Rishabh Rajan explores an alternate method using Max for Live's Degrade~ object with unique results!
Platforms in music & tech have long seen a diverse range of opinions. Mac vs PC, Cubase vs Logic v Pro Tools, etc. It's fair to want the best, but Matthew Loel T Hepworth notices a new "Sucks" trend.
Can't get your head around Ableton Live? Don't be put off! G. W. Childs highlights the similarities in Part 3 of this Transition to Ableton from any DAW series.
Electronic genres don't stay static for long. A relative new comer to the EDM scene, Moobahton, is a hybrid of Dutch House and Reggaeton. Gary Hiebner shows how to emulate this style in Ableton.