Synths & Sound Design

Tutorial | Apr 22, 2013 by Rich Tozzoli

You want a warm, punchy sound, right? We all like that analog tape sound in this digital world. That's why Rich Tozzoli has turned to Universal Audio's Studer A800 for that extra punchy sound!

Tutorial | Apr 22, 2013 by Gary Hiebner

Why do musical modders love Ableton Live? Simple, because you create your own effect unit racks. In this tutorial Gary Hiebner shows how to create a multiband distortion unit in Ableton Live.

Editorial | Apr 13, 2013 by Jay Asher

Is it desirable, to make your sample-based instruments sound as close to the "real-thing" as possible? Jay Asher suggests an alternative approach when creating orchestral pieces in your DAW.

Tip | Apr 08, 2013 by G.W. Childs IV

Seems that most everything about Ableton has been designed with it being extremely playable in some way. And that's also true of Drum Racks in Live 9. G. W. shares tips on how to optimize them.

Tutorial | Apr 06, 2013 by Lynda Arnold

Continuing our series of sound as a healing tool, Lynda Arnold is back exploring what binaural beats are and how they can be used for enhanced states of relaxation in your productions.

Tip | Apr 03, 2013 by Toby Pitman

What to do when you've already raided your existing sample libraries and synth presets when looking for noise-based percussive sounds? Turn to Logic Pro's ES1 and create your own!

Tutorial | Mar 15, 2013 by Gary Hiebner

Glad to see the back of the wave of "Harlem Shake" videos that invaded YouTube? Humor us (and yourself) for a little while longer as Gary Hiebner creates a similar styled project in Ableton Live.

Tutorial | Mar 12, 2013 by Hollin Jones

If your vocal parts are sounding a little flat or uninspiring, you can do either go instrumental or learn how to better process your vocal tracks in Reason. Hollin Jones shows you how.

Tip | Mar 08, 2013 by Mike Watkinson

Mike Watkinson, ADE, shows how to quickly and effortlessly create a solo violin sampled instrument in Logic Pro - something strangely lacking in the included content for Apple's flagship DAW.

Tip | Mar 04, 2013 by David Earl

David Earl shows how to use Reaktor to convert logarithmic pitch to frequency, create a harmonic series and control it all using one knob! A little essential theory followed by all the practical steps

Tutorial | Feb 25, 2013 by Mo Volans

Have you tried adding an edge to your tracks with distortion? It's easy to go over the top... Mo Volans shows how to get an aggressive sound while keeping your mix balanced using Logic Pro.

Tutorial | Feb 20, 2013 by Darren Burgos

So, you want to remix a track? Darren Burgos invites you into his studio of tricks in this article as he reinvigorates vocal stems using Logic Pro. He's also kindly included the Logic project, too!

Tutorial | Feb 18, 2013 by G.W. Childs IV

Warning! This tutorial is not for the faint of heart. Still reading? Prepare to release your inner evil using Ableton Live's effects to transform your voice into something from an evil place.

Tutorial | Feb 15, 2013 by Toby Pitman

Jump straight in to this tutorial by Toby Pitman on using Eventide's H3000 to create lush filtered delay effects on guitars and other sounds.

Tutorial | Feb 12, 2013 by Gary Hiebner

Is lo-fi the new hi-fi? Whatever your opinion there's something about downgraded, bit-reduced sounds that can really help your tracks stand out. Gary Hiebner explores bit crushing in Ableton Live.