You've probably come across Harmor's resynthesis mode. But did you know about the image synthesis functionality? If you like odd, weird and random soundscapes then this could be for you.
Flex Pitch in Logic Pro X can be used to correct imperfect melodic recordings, or help you transcribe recorded audio parts. You can also use it to double up an instrument and Toby Pitman shows how.
His Buchla's LPF has no resonance (and Steve H likes it that way!) Find out why in his latest insightful exploration into the innovations occurring in the world of synthesis.
Finding "happy accidents" in Ableton Live is useful for generating creative sounds. Tadhg Leonard explores how to use Novation Lanchpad with Live 9's FX to make vocal samples exciting. [Video]
Now we're not saying your drum patterns aren't interesting... but, here's a way to breathe new life into them using Step Mode in Logic Pro's Ultrabeat drum synth/sample plug-in powerhouse.
Most everyone has heard of David Guetta'"one of the most popular DJs and producers in existence today. In this tutorial, Sara Simms shows how to create a basic synth line and beat in his style.
It's probably never been harder to make money from music. Don't rely on album sales (not recommended!) instead Hollin shares how to get your tunes synced, or used in film, TV, games and adverts.
Ever wonder how best to handle delay effects when producing or mixing guitars? Rich Tozzoli has come up with 5 timely tips to help you do just that!
You can take Impact, in PreSonus Studio One, to another level. Gary Hiebner shows you how to build your own custom kits in this excellent drum machine instrument.
Making sounds pop out in stereo can add much needed dimension to flat sounding mixes. In this tutorial, Darren Burgos shows you how using Logic Pro X.
Did you know Image Line's Harmor synth can easily map segments of an audio file to different keys? Learn how to use Harmor as a remix tool or drum loop device in this excellent tutorial.
We often think that more than two speakers or monitors are required in order to create a 3-dimensional music mix. In fact, you can do so with a humble two-speaker system. Paul Wickliffe explains how.
It's no surprise that one of the most impressive software synths ever, Omnisphere, is from Spectrasonics. David Earl delves into its modulation areas and shares some timely tips.
When it comes to music production, some little tricks can go a long way. Toby Pitman shows how to use MIDI pressure to add complex textures and motion to your synth sounds in Logic Pro X.
Want to know the secret for creating fat, pumping EDM beats? Cubase 7.5 users are somewhat spoilt by the creative tools on offer, and Mo Volans shows you how to use these when processing drums.