Synths & Sound Design

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Logic Pro X Creative Effects Returns


You may already know how use an effects return in Logic, but using dynamic effects plug-ins in conjunction with returns can make your creative effects even more... creative!

Improve Your Recorded Guitar Sound Using Filtering

No one likes a muddy, cluttered mix. Rich Tozzoli shows how to use filtering (EQ) to get those guitars shining through. (audio examples included).

5 Ways to Get a More Organic Feel in Reason

It's time to break away from the grid. Think outside the box and get your "organic" or human shuffle going with these 5 quick tips for Reason users from Hollin Jones.

Side Chaining Bass in Logic Pro

Become a side chain scientist in Logic Pro X, with this compact yet informative mixing technique on how to side chain bass in Logic Pro X. Matt Vanacoro makes side chaining accessible for all!

Create a Simple Electro Bass in NI Massive

Why reach for the nearest preset in NI's Massive when you can design your own? Not only will this mean your sounds are unique, but you can learn lots and have fun in the process.

Using Reason's Thor Sequencer for Phrase Sequencing

Propellerhead Reason is chocka full of hidden features and functionality. In this tutorial G. W. Childs shows how to make a melodic pattern in Thor that changes pitch dependant on the keys you press.

Fun with Loopmash FX in Cubase 7.5

If you’re familiar with using Loopmash as an instrument, prepare to have your musical mind blown as Hollin Jones unleashes its potential as an effects processor in Cubase 7.5.

Creating Stereo From Mono Tracks In Logic Pro X

Most times you'll record instruments in mono to a single channel, but sometimes you may want to beef these up in the mix and create stereo versions. Here's how, in Logic Pro X.

6 Tips for Making Unique Orchestral Library Compositions

The tools for authentic sounding orchestras are here. But, that automatically make your string sections sound good! Jay Asher shares six tips to help make your orchestral compositions unique.

Building Dynamic Layered Claps From Scratch In Ableton Live 9

Where would modern music, to say nothing of electronic music, be without a heavy downbeat accent on the second and fourth beats of a 4/4 bar? Noah Pred shows how to create stacked claps in Live 9.

4 Delay Tips in PreSonus Studio One

If you need to add extra depth or interest to your tracks, it's common to reach for delay effect plug-ins. In this tutorial, Gary Hiebner provides 4 delay-oriented tips for PreSonus Studio One users.

Making Use of iZotope Stutter Edit in a Live Context

Despite being a couple of years since its release, iZotope and BT's Stutter Edit is still one of the most versatile glitch tools for live EDM performance. Gary Hiebner explores how it works.

Making the Most Out of Guitar Effects In The Box

Rich Tozzoli takes a hands-on approach to using guitar effects in the box to find out which plug-ins will help you transform your guitar sounds from dry and uninspiring to rich and varied.

8 Pro Mixing Tips: Processing the Master Fader

Chances are, you’re using a Master Fader on your DAW to control the overall mix. If you do, there are a few tips and tricks that can help make the sound leap out of the speakers.

4 Quick Tips for Fatter Drums in Ableton Live 9's Drum Racks

Everyone wants bigger, fatter, chunkier drums right? Thin sounding drums very rarely cut it! Ableton Certified Trainer, Noah Pred, shares 4 quick tips to plump up your beats using Live 9's Drum Racks.