Wanna create some realistic fills for your drum track… don't have a real drummer? Don't have quick fingers to play patterns live via a keyboard? Logic Pro X's Drummer is here to help.
Beats: we all create them—some better than others… Sound Designer, G. W. Childs is here to share 8 tips to help you create better beats for your tracks, whatever DAW you use.
Are you curious how convolution reverb works? Ever considered what makes Logic Pro's Space Designer shine? And how about recording your own custom impulse responses for Space Designer? Answers here!
In five simple steps, Logic maestro, Matt Vanacoro, shows how to create a realistic sounding drum kit and pattern using Logic Pro X's Drum Kit Designer.
We've all used samples. And when it comes to using a sample-based MIDI orchestra, there's a number of techniques and tricks we can use to make them sound more realistic. Peter Schwartz to the rescue.
Looking for some inspiration for your next music track, maybe it's time to cultivate and embrace chaos. Noah Pred explains and shows how to randomise drums in Ableton Live.
There's not many (any?) virtual instruments with an exclamation mark in their name. But that's not the reason Xpand!2 sample playback/synth deserves your attention. Joe Albano takes you deep into it.
Add an organic, throaty feel to your basses and synths by creating a formant filter in Propellerhead Reason's Thor. G. W. Childs shows how to combine Thor and a Combinator for that WOW effect!
Logic Pro X has an arsenal of useful tools and plug-ins for mixing and sound design. The Match EQ is perhaps one of the less well-known "fixing" tools that does what it suggests, and does it well!
Breathe new life into your drum parts by learning how to create your own drum kit presets in PreSonus Studio One's Impact. Gary Hiebner is on hand to show you how.
Logic Pro is a sound designer's paradise. With so many instruments and potential sounds, one way to make your own evolving patterns, risers and sequence FX is using the awesome Delay Designer plug-in.
Certain types of compression can work wonders on most types of electric guitar parts. Armed with Universal Audio's TLA-100 plug-in, Rich Tozzoli is on a mission to make your guitar sound great.
It's time for some old school synth tips. If you've got a desire to create some house music stabs and you're a Propellerhead Reason user, then this one's for you.
Getting a great guitar or bass sound is easier than ever, thanks to the new modules in Reason 8. Developed in association with processing experts Softube, they can work their magic on almost anything.
Creating a complex and involved industrial style bass arpeggiator sound and pattern in FL Studio just got interesting! G. W. Childs shows how using Poizone 2's and LFO and Trance Gate.