This tutorial on making a dark, brooding pad is taken from Rishabh Rajan's FREE interactive eBook: NI Massive Sound Design Recipes available for iPad, iPhone, Mac, Android and PC.
Along with the new effects and instruments in Komplete Select that come bundles with the Maschine 2.3 update are tons of tips and tricks you can employ in your productions. Here's 4 awesome ones!
G. W. Childs delves into the dark side (not really...) of Propellerhead Reason and uncovers how Redrum can actually be used to create melodic sounds and phrases.
When mixing your next project (especially orchestral) spare a thought for your audience. Using pre-fader sends, Peter Schwartz shows how to simulate how sounds will be perceived.
If you're looking to re-create an acoustic instrument or vintage synth/drum machine in software, sample-based instruments will only take you so far. Joe Albano explores modelling instruments in depth.
Your Korg volca keys can easily make short techno stabs and blippy synth sounds, but it can do more too. G. W. Childs demonstrates how to create pads and strings using this powerful hardware synth.
Even if you haven't yet updated to FL Studio 12 yet (why not??) Gary Hiebner shows you how to translate visual pixels into sonic synthesis using BeepMap. We wish every DAW had this!
With some choice hardware and plug-ins, even when you're out of the studio you can get some truly excellent sounding guitars. Rich Tozzoli uses his UA Apollo and 3 stomp boxes in UAD v8 to good effect
Learn how to control the stereo dimension of your Ableton Live mix thanks to this in-depth tutorial from The Sound Tutor. You can also work through and download the included project on Splice.com.
It's the weekend and it's time to relax. G. W. Childs shows how to create an evolving, ambient background sonic landscape in Propellerhead Reason's Thor.
Are you into creating dub, trap or long echoes in your beats, or are you after some glitchy effects for your drum patterns? G. W. Childs shows how in this Korg volca beats tutorial video.
Propellerhead Reason users take note! Hollin Jones is all about spatial effects and in this quick read he shares six excellent tips for making the most of reverb in Reason.
Part 4 of this informative series on the science of studio acoustics sees Joe Albano continue to explore reflections, and in particular flutter echoes and ambience and how to solve this problem.
Editing audio waveforms had become run of the mill. If you want to get into editing frequencies of audio files, then spectral audio editing is for you. Gary Hiebner shows how using Adobe Audition.
Using recycled loops to create new drum kits is what we've got on the menu for you here... and all you need is Propellerhead Reason to do it. G. W. Childs is your guide.