When your projects reach a certain size it can be hard to keep track of your tracks' tracks... Gary Hiebner highlights features that Steinberg offer inside Cubase to keep your productions moving.
So you want your drum tracks to sound convincing... or at least good? But you don't have a drummer to hand and your own arrangements leave a lot to be desired? Here are 5 viable alternatives.
Not every good synth plugin need cost an arm and a leg. Podolski from U-He is a very capable FREE synth with an awesome arpeggiator. Watch GW Childs design a cool bass pattern inside this beast.
An ostinato is a repeating musical phrase and can be found in many rock and pop songs and game and film soundtracks. In this tutorial Jay Asher demonstrates how to create great sounding ones in Logic.
So you've been using Ableton Live's freezing and flattening features when mixing or to save CPU. That's great. But you can also employ these tools for creative sound design as Noah Pred demonstrates.
When it comes to mixing a Bass House track there's one sonic element that should dominate the entire track. The bass line. Multiplier shows some practical tips and examples to ensure your bass is big.
Publisher of AskAudio Academy, Steve H, shares his personal journey with synthesis, how he came to use Buchla synthesizers and explains the impact Don Buchla has had on the world today and tomorrow.
Cubase gives you 2 MIDI arpeggiator processors, the Arpache 5 and Arpache SX. Each has its own benefits. Let’s take a look at how to use these MIDI effects and explore the differences between them.
Using the sample section of NI’s excellent new Reaktor synth, FORM, Matt Cellitti shows how to add interest to patches with some cool sound design tips in this video tutorial.
In an ideal world we'd send mixes to be professionally mastered. If you're looking to master, or pre-master, in Ableton Live this FREE audio effects rack from Manmade Mastering is a must-download.
So you've got a Korg Electribe 2 (or are thinking about getting one) and you want some workflow tips and tricks? You're in the right place! G.W. Childs is here to help.
If you feel intimidated by synthesis and patch bays and find you're excusing yourself from conversations about them, now is the time to face your fear and discover your inner synth power.
Handclaps can be heard in all genres and styles of music. In this quick tutorial, Jay Asher explores how to easily and quickly create handclaps that sound great.
Get time-stretching (in real-time) in FL Studio 12.3 with this useful guide by Gary Hiebner.
Sometimes, it pays to be bold when producing drums. One way is by using the classic 1176 LN Compressor/Peak Limiter, which can take an average sound and turn it into edgy, aggressive monster.