Adobe's wave editing package has much to recommend it to musicians and audio producers. Here, Matt Vanacoro shares 5 of his top tips for getting the most out of it.
Whether you're podcasting, wave editing or cleaning up dialogue for a movie, Audition's effects are here to help. Hollin Jones explains when to use track and clip effects.
It's a topic that arouses emotions in many people, but the fact remains that there isn't one perfect system for everyone. Matt Hepworth shares how he switched from a Mac to a Windows system.
Adobe's clever Dynamic Link feature means no tedious exporting and importing. Just harness the power of both apps to get much more detailed control over your sound than Premiere normally allows.
Using text styles in InDesign can save you a huge amount of time and effort. Simply follow this guide to streamline your workflow and become more productive!
With the continuing evolution of audio editing tools within major DAWs, some think that the dedicated audio editor has had its day. Matt Vanacoro shares 5 reasons Adobe Audition should not be ignored.
Akai's APC40 is an awesome bit of kit for DJs & producers. Rory Dow, master synthesist and Ableton Live maestro, explores how to make it even better using MIDI remote scripts. (Part 1/2).
Adobe Audition CS6 now supports all 3rd party VST and AU plug-ins and comes bundles with some nifty effects of its own. Hollin Jones gets under the hood and puts them to the test.
Adobe's Creative Suite CS6 launch brought much attention to Photoshop and the other big guns. One application comparatively slipped under the radar: Audition. Hollin Jones uncovers the new features.
In a film, bad video quality is bad. Bad sound quality is even worse! Hollin Jones takes you through the essential steps needed to edit audio from Adobe Premiere in Adobe Audition.
What do you get when you combine Propellerhead Reason's Rack modules with some Photoshop trickery and skill? Answer: Your own personalized, modded backdrops in Reason. Toby Pitman gets hacking.