So, you need to track some guitars. They need to sound incredible. Your whole project hangs in the balance, but you don't have a lot of dough to work with. Andy Bowen is on-hand to help you through.
Programming beats & drums need not be a chore. GW Childs shows how to get your beats grooving in no time (in Reason) in this excellent tutorial article.
If you're feeling stuck in the major, minor and pentatonic scales box when composing or playing, consider investigating modes. Matt Vanacoro explains how modes can transform your music.
Want to make big, fat layered lead synth sounds? Sara Simms takes you through the process using Sylenth in the DAW of your choice. Perfect for beginners and more intermediate producers and musicians.
Ever wonder just what tricks Universal Audio's Console 2.0 is capable of? Matt Vanacoro is on-hand to share his four favorite workflow tips for UA Apollo users.
Become a master of distortion, and better still, the distortion effects plug-ins you'll find in the box with Avid's Pro Tools! Joe Albano gives you a tour of these with audio examples to boot.
What are the considerations when choosing a vocal microphone for recording in a live setting? Which microphones will stand up to the task? Joe Albano provides a detailed exploration in this article.
Music making is full of decisions. And choosing the equipment you employ to make music is no exception. G.W. Childs examines the recent trend towards hardware versus software-based solutions.
Reason's Master section provides a convenient and powerful rack for working with a wide range of effects when mixing down your tracks. Hollin Jones takes you through the main sections.
If you're suffering from writer's block there's good and bad advice around on the net. So, we asked 5 successful producers and artists what they do when facing a creative drought. Essential reading.
Music hardware shouldn't be played alone. In this quick tutorial for producers, live performers & DJs, Sara Simms shows how to sync a Roland AIRA TR-8 with Traktor to get the best of both worlds.
If you own Ableton Live don't rummage around 3rd-party plug-ins for beautiful sounding pads. Instead, look inside... Inside Ableton, that is! Using Analog, GW Childs shows how big your pads can be.
You might be a Logic Pro X expert, or you might be a novice. It doesn't matter. These key commands from Jay Asher (there's actually more than 10) can improve your workflow. So check them out now.
If you're interested in exploring ways to become a better, fresher, more original song or lyric writer then listen up. G. W. Childs recommends taking a genuine, no BS path. Read on if you dare.
The loudness wars are upon us! Rory Furr shares 4 steps to using serial compression to boost your mixes without causing clipping or major distortion. In short get louder and keep your dynamics intact.