The MixConsole in Cubase 8 has some powerful tools built into every channel. Tools that might even save you using third-party plug-ins'¦
Logic Pro X is one flexible DAW. Jay Asher is here to help you make the most of the Logic's mixer by creating different mixer views and saving them to screen sets. Plus, it's easy once you know!
Revoice Pro 3 is the secret weapon for top level producers world-wide who do pitch and time audio editing. If you're even slightly curious then this article will show you how to make it work for you.
Even if you haven't yet updated to FL Studio 12 yet (why not??) Gary Hiebner shows you how to translate visual pixels into sonic synthesis using BeepMap. We wish every DAW had this!
With some choice hardware and plug-ins, even when you're out of the studio you can get some truly excellent sounding guitars. Rich Tozzoli uses his UA Apollo and 3 stomp boxes in UAD v8 to good effect
Learn how to control the stereo dimension of your Ableton Live mix thanks to this in-depth tutorial from The Sound Tutor. You can also work through and download the included project on Splice.com.
When Apple bought Redmatica we wondered when the EXS24 would include AutoSampler in Logic Pro. Instead, AutoSampler is included with MainStage 3.1. Creating sampler instruments just got a lot easier!
It's the weekend and it's time to relax. G. W. Childs shows how to create an evolving, ambient background sonic landscape in Propellerhead Reason's Thor.
Nobody will promote your DJ mixes for you. If you want to reach out to a wider audience and engage with your fans creating a DJ podcast is an effective solution. Sara Simms shares the knowledge.
Are you into creating dub, trap or long echoes in your beats, or are you after some glitchy effects for your drum patterns? G. W. Childs shows how in this Korg volca beats tutorial video.
Propellerhead Reason users take note! Hollin Jones is all about spatial effects and in this quick read he shares six excellent tips for making the most of reverb in Reason.
Discovering the inner working of Logic Pro X (10.1)'s new automation trim options has made many veteran Logic users very happy indeed. Here's Jay Asher to share the knowledge.
When it comes to building a MIDI Orchestral template (or any style in fact) in your DAW, is it worth the time & effort building a template that could end up being temporary? Peter Schwartz finds out.
Logic Pro X's Dynamics Compressor plug-in got more than a visual makeover in version 10.1. We'd go as far to say it's been born again. Joe Albano covers the new model and other new things.
If you want to make two or more vocal parts tighter easily, then you'll want to check out Cakewalk SONAR's new Vocal Sync tool. Gary Hiebner shows you how this excellent feature works.