DJ Kiva shows how to get your MIDI Controller to communicate properly with Ableton Live so you can get hands-on in the studio or when performing live.
It's not fun, it's not sexy, but maintaining a proper Backup routine is critical for every type of recording venture, from the biggest commercial rooms, to the smallest bedroom studios.Â
Changing the pitch and timing of vocals used to be something you could only do in a top end studio. Now thanks to Reason it's at your fingertips!
Get time-stretching (in real-time) in FL Studio 12.3 with this useful guide by Gary Hiebner.
Home or project studios are certainly convenient, but not always well-designed spaces. If you're interested in taking your home studio to the next level here's how to make the room nice and quiet.
In this video Alex Solano uses the SSL Duende Native's filters to clean up the low end and high end of a piano. Then he explains the different E and G series EQ modes and demonstrates them in action.
These are the kind of Logic tips that can make your Logic Pro X sessions more satisfying. Using just one or two of these shortcuts can be a guaranteed time saver and help you focus on producing.
In this tutorial Ableton Certified trainer, Timo Preece, explores ways to make your compositions in Ableton Live more interesting using asymmetry, polyrhythms and layering different meters.
You've finished recording for your track, the talent has gone home... but, the recordings have glaring flaws. What can you do to fix them in post? Joe Albano explores 7 tools and techniques to help.
Pioneer DJ mixers, like the DJM-2000NXS, are well respected amongst DJs and FOH engineers. Why? They sound great. But what makes them sound so good? Sara Simms investigates...
Sometimes, it pays to be bold when producing drums. One way is by using the classic 1176 LN Compressor/Peak Limiter, which can take an average sound and turn it into edgy, aggressive monster.
Before you reach for your EQ and compression plugins to shape the sound of your snare drum consider adjusting the character by using multiple microphones and mixing those. It's a powerful way.
Cubase some some very advanced was to manipulate MIDI. One of these lie in their MIDI modifiers. In this tutorial Gary Hiebner takes a closer look at MIDI Modifiers and how to make them work for you.
The Korg Kronos Synthesizer workstation has a number of tricks up its sleeve. One of these is being able to sample audio using it and even send it through the internal effects engine.
In this 6-minute video tutorial Thavius Beck shows how to use Elektron's excellent Overbridge and Analog RYTM to make a beat.