Logic's Vintage B3 Organ has plenty of tools to help you get exactly the retro organ sound you're looking for. Find out how with this quick tour from Booker Edwards, Jr.
Track Alternatives in Logic Pro X 10.3 can save you time when creating different arrangements and orchestrations. Here's how it works.
Stereo mic'ing can add depth and vitality to your productions. Joe Albano explains the various different techniques and which ones you should use.
Ever wished you could trigger and mess with samples without having to dive into a complex editor? With Cubase 9 and the new Sampler track, you can!
You probably never thought that sloppy editing could get people killed. G.W Childs reports from the front line with news of how to avoid danger.
This excellent tutorial on how to make a Dynamic EQ with Ableton Live Devices and Max for Live by Joshua Casper could save you time and money, and help your productions sound great.
What if you could move whole bunches of settings between sessions easily with just a few clicks? Actually you can, as Matt Vanacoro reveals.
Understanding how loudness standards work can be crucial to mixing and mastering correctly for different target media. Shane Berry is here to guide you through the terminology.
There's nothing worse than a slow computer clogging up your workflow. Get a speed boost with these expert tips!
All kinds of factors affect the way you perceive kick drums when designing and mixing sounds. Multiplier is here to help you make sure you're doing it right.
Logic Pro X has a wealth of synths bundled with it, but they all have their own unique character and potential uses. Matt Vanacoro sheds some light on exactly what those are.
Reason's modules are capable of creating almost any kind of sound you like. Here's how to create a Cashmere Cat-style kick bass patch using Subtractor.
SuperSaw bass patches sound great in all kinds of EDM and many other styles to boot. Find out how to create one using Sytrus in FL Studio with expert trainer Gary Hiebner.
Waveshaping can provide a very different kind of distortion and it's available inside Live's own plugin effect. Here's how it works.
Mastering for vinyl has its own special set of considerations. Luckily Joe Albano is here to demystify the process using some specialised plugins from the Waves Abbey Road Collection.