Getting the perfect monitor mix can be tricky but by using the awesome power available in the UA Apollo hardware and software, it needn't be a chore, as Matt Vanacoro explains.
We've all heard about the loudness wars, but what does the term actually mean? Matt Hepworth uses WaveLab plus some commercial tracks to show you just how loud music has got - and what to do about it.
PO-32 Tonic from Teenage Engineering puts a wealth of cool FX at your fingertips. Here's a hands-on example of how to program, tweak and record them in real time.
Looping is at the heart of Live's workflow. Here's a short video that explains how to set up for MIDI input and warm up before performing some MIDI loops.
Understanding the way that stereo sound works can help you achieve a more open and natural end result. Here's how to improve your soundstage and mixing skills.
Logic Pro's ability to apply processing to specific sections of audio is incredibly useful for your workflow, saving you duplicating tracks or automating effects. Matt Vanacoro explains why.
Designing sound for specific kinds of video projects requires its own unique approach. Here's how you should approach it, and some pitfalls to watch out for.
Logic comes with a bunch of bundled plug-ins but while you may know the reverbs and delays, some of the more unusual models have much to offer, as Joe Albano explains.
So you just know you've got the goods to make hits: you've got the ears, you know the trends, and you've got the nerve. Now you need the gear. Here's why you need an audio interface in your setup.
The recording process can throw all kinds of curve balls at you, however well prepared you may be. Joe Albano shares some industry secrets that can save your bacon if the worst happens.
Of all the mixing tools you can think of, your car probably doesn't feature very high on the list. But it should! Here's why.
We can all use some more ways to improve and refine our keyboard playing skills, whatever type of music we make. Here are five top tips.
There are some core theory concepts that all musicians should know about, regardless of what you play. Matt Vanacoro sets out five of the most important.
Don't just drag a loop from your desktop to your DAW - find inspiring ways of using hardware to kick off ideas for new tracks with these top tips!
Noise is sometimes less well understood than oscillators, but it's just as important when making synth patches. Here's a quick guide to the different noise types and how to use them.