Arturia's MatrixBrute may look daunting, but in this short video, Marc Doty shows you that the large button matrix can actually be much more straightforward to use than you might have thought.
Beat matching in Premiere Pro that works like Ableton Live? Well almost - but it's still so much more than you might have imagined. Joshua Casper reveals all.
If you only watch one video today (or two) we'd recommend these two showing you how cool Sample Logic's Arpology can be for sound design and patterns you'd normally not dream of making.
It's not just singing that people record '" voiceover is an integral part of all kinds of media workflows too. Here are five ways you can improve your VO recordings.
In the latest in his series on music theory essentials, Matt Vanacoro gives you some pointers on how best to put together a chord chart for you and those you are working with.
If you've never taken advantage of optical preamps to expand your UA Apollo mobile recording rig, you could be missing out! Rich Tozzoli shows you how it works and how it can help you.
Impact reverbs are a favourite trick of dance producers, but do you know how to create them for yourself? In this short video, Multiplier breaks down the technique.
Sometimes there's a sound or effect you can only get from hardware. It's easier than you might think to incorporate outboard gear into Logic, but there are a few rules to follow. Joe Albano explains.
Convolution reverb plug-ins have become the go-to reverb type in recent years. But what exactly is it? How does it work? And why does it produce realistic spaces? Richard Lainhart explains all.
Most people know how to bash out some beats on a MIDI keyboard, but how about taking things to the next level? Here's how to generate some more unusual beats without breaking a sweat.
With IK's Synktronik out in the wild, users are beginning to tap into its huge potential for sound creation. Matt Vanacoro gives you his top tips for getting the most out of this powerful instrument.
Modelling the classic Moog hardware means Modular V's sequencer works a little differently to some others. Rishabh Rajan shows you how it works and explores its many abilities...
With DIY gear so readily available, building your own controllers can be fun, rewarding and really creative. Here, Liam Lacey shows you how to make your own 3D gesture-sensing USB MIDI controller.
Recording and editing controller data can be the key to achieving fluid, dynamic changes over time in your music productions. Here's how to work with controllers in FL Studio.
Whatever kind of music you are working with, iZotope's Ozone has the tools to master it sympathetically. Here, Joe Albano dives into the Vintage modules to show you exactly what they offer.