Performing lots of small, tedious tasks in Cubase is a thing of the past once you discover the Project Logical Editor and its ability to batch process all kinds of actions.
Wait, come back! There really are good reasons why strategically giving away some of your music in certain situations can help build your profile. Read on to find out how it works.
With so many synths out there it can be daunting knowing where to begin looking. But it needn't be! Here are some excellent tips on choosing your first synth from someone with quite the collection...
Three friends from a small town changed the face of electronic music across the world. But how did it happen? Here's Sara Simms to tell the story.
Getting the perfect monitor mix can be tricky but by using the awesome power available in the UA Apollo hardware and software, it needn't be a chore, as Matt Vanacoro explains.
We've all heard about the loudness wars, but what does the term actually mean? Matt Hepworth uses WaveLab plus some commercial tracks to show you just how loud music has got - and what to do about it.
PO-32 Tonic from Teenage Engineering puts a wealth of cool FX at your fingertips. Here's a hands-on example of how to program, tweak and record them in real time.
Looping is at the heart of Live's workflow. Here's a short video that explains how to set up for MIDI input and warm up before performing some MIDI loops.
Understanding the way that stereo sound works can help you achieve a more open and natural end result. Here’s how to improve your soundstage and mixing skills.
Logic Pro's ability to apply processing to specific sections of audio is incredibly useful for your workflow, saving you duplicating tracks or automating effects. Matt Vanacoro explains why.
Designing sound for specific kinds of video projects requires its own unique approach. Here's how you should approach it, and some pitfalls to watch out for.
Logic comes with a bunch of bundled plug-ins but while you may know the reverbs and delays, some of the more unusual models have much to offer, as Joe Albano explains.
So you just know you’ve got the goods to make hits: you’ve got the ears, you know the trends, and you’ve got the nerve. Now you need the gear. Here's why you need an audio interface in your setup.
The recording process can throw all kinds of curve balls at you, however well prepared you may be. Joe Albano shares some industry secrets that can save your bacon if the worst happens.
Of all the mixing tools you can think of, your car probably doesn't feature very high on the list. But it should! Here's why.