Mike Watkinson uncovers and explains how to maximize the audio quality when mixing using the new 64-bit floating bus in Pro Tools 10.
What is Reason 6's Pulveriser? Why is it so darn good for Bass modulation? How can you create excellent DubStep wobbles using it? G.W. Childs answers all the above!
The Yeah Yeah Yeahs use hardware synths & guitars to create their brand of pop-rock! Richard Lainhart shows how to re-create the synth line from Heads Will Roll using Logic Pro's built-in instruments.
The Novation Launchpad is well known as being an excellent (and inexpensive) controller for Ableton Live. So, G.W. Childs went on a journey to discover how to make it work well for Reason users, too.
When it comes to looping during the recording process Pro Tools has a wealth of options to hand. Mike Watkinson rounds up all the options for MIDI and audio in this article.
Dubstep is all the rage right now, and one producer that is creating some of the biggest hits is Benga. Gary Hiebner shows how to re-create 'On a Mission' featuring Katy B in Logic Pro.
Logic's Tape Delay is one of the original effects, and still one of the best for emulating that tape-based analog dub feel. Mo Volans uses it for some 'wow' and 'flutter'.
While Soundtrack Pro is only available in the current boxed version of Logic Studio, it is still a useful audio editor to use! David Earl (aka sflogicninja) shows how to use it as a batch processor.
There's only one thing better than a free lunch... MPV Free Stuff!! This time we've got a tasty bundle of NI Maschine Kits for you. Simply log in (or sign-up for free), download & enjoy!
Load up your DAW, open up Massive and be prepared to make some awesome sounds! Mo Volans show the ins and outs of creating sample and hold effects in this popular synth by Native Instruments.
Toby Pitman shows how the Matrix Pattern Sequencer can be used to control different sound characteristic of a loop. Basically, we're talking audio animation in Reason 6!
With so many ways to make kick drums, many producers ignore Logic Pro's built-in ES1 instrument. However, as Darren Burgos demonstrates, the ES1 can create punchy and deep kicks that rival any source.
Want to create analog bass sounds? Cubase 6 has you covered with Prologue. Mo Volans takes this instrument over the edge and introduces that much needed grit into your creations.
Wouldn't it be great if you could add random elements to your compositions so no two listens would ever sound the same? You can! Gary Hiebner opens up the generative side of Ableton Live
Working with audio in Reason 6 is so much simpler than in previous versions. G.W. Childs take us step-by-step through how to use a hardware synth for real-time vocoding fun!