Darren Burgos gets his chops together in this step by step on how to quickly create Electro and Dubstep style stop/chop audio effects using Take Folders in Logic Pro.
Find out the essentials on NI's flexible modulation system in Native Instruments' Massive. Mo Volans takes it step by step in this guide on how to build your own effects.
MainStage 2 can be your perfect backing track. David Earl (a.k.a. sflogicninja), shows how to import your tracks from Logic Pro to MainStage and sync playback for your next performance.
Toby Pitman has created a bunch of Guitar Rig presets exclusively for Hub members. Log-in/sign-up for a free account to download them now!
With so many instruments and effects to choose from, how do you go about improving your lead sounds in Reason? Simple. Read and follow along with this step-by-step article by G. W. Childs.
Ableton users are always on the look out for more workflow tips'¦ so Rory Dow, Ableton tipster extraordinaire, has come up with 3 essential Ableton Live tips for studio use and/or live performance.
Knowing how to make synced sweeps is useful for more than just EDM. Darren Burgos demonstrates how the Vector Envelope in Logic Pro's ES 2 can be used to achieve this and more.
NI's Massive is, for fear of stating the obvious, a HUGE synth! In this article, Mo Volans explores how to get the best out of its unique Performer and Stepper LFOs.
When it comes to choosing an orchestral sample library, you don't necessarily need to focus on how 'real' it sounds. Jay Asher, master composer and Logic guru explains why.
What should you do with those hordes of CDs you never listen to anymore? G.W. Childs rips open his 'other' CD collection and gets sampling.
There's only one thing better than a free lunch... MPV FREE Stuff!! This time we've got a collection of chill-out electronica audio loops. Simply log in (or sign-up for free), download & enjoy!
Having trouble making some sounds sit comfortably in a mix? Gary Hiebner slices & dices in Logic Pro & Ableton Live with their respective Auto filter effects. Result? Juicy, fat beats!
Reason 6 is packed with instruments, effects, little-known shortcuts and tricks. But at first glance there is no high-pass filter'¦ or is there? Mo Volans digs below the surface to undercover this gem.
With 24-bit digital recording and better analog to digital converters than ever before, is there any point using dynamic processors when recording? Mike Watkinson examines the benefits.
Avoiding a muddy low end in a mix can help it stand out above the crowd. The principles are the same cross every DAW, so G.W. Childs shows how to improve the low-end frequencies in GarageBand for Mac.