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Quick Mastering in Propellerhead Software's Record

Reason users have had access to the excellent M-Class mastering processors for a while now, but due to the lack of audio support users were limited to only mastering material that had been created...

Setting Up External Instruments in Logic, Part 2

In the first part of this Feature Tutorial we discussed how to configure external MIDI instruments in Logic that is, setting up a hardware MIDI keyboard or drum machine as both a MIDI controller...

Increasing the Impact of a Kick Drum in Logic Pro

There are literally hundreds of techniques for increasing the impact of your drum sounds in any DAW. Having said that, there are a few key methods I use repeatedly...

Music Tech Tip: What is MIDI Anyway?

For someone who’s been doing this a long, long time, I often forget that some of the new talent that comes into electronic music may not know certain building blocks...

Phase Out Phase: Quick and Easy Automatic Double Tracking in Logic

Whether invented by accident by Les Paul or, as others say, by Ken Townsend at Abbey Road in 1966 (and used on John Lennon's voice), automatic double tracking (ADT) is a way of thickening...

Creating Wind FX: Noise Filtering in Logic Using the ES1

In this Quick Tutorial, we'll look at how to create a classic analog synthesis sound — the sound of whistling wind — using Logic's ES1 synth.

The Amazing Mutator in Absynth 5

Constructing your own sounds or effects from scratch in Absynth doesn't have to be a long, drawn-out process. Scott Freiman shows how the Mutator can be used to generate new from old.

Sound Design: Making an Old School Snare in Logic

Recently I wrote a tutorial on how to quickly make an electro kick drum in Logic Pro. If you recall, the exercise merely utilized a few iterations of Logic’s Klopfgeist with a bit of effect.

Tab to Transients in Pro Tools

In a previous Quick Tip we explored transient-based selections in Logic Pro. In Pro Tools, this is handled by a feature called ‘Tab to Transients’. Let’s take a closer look.

Essential Logic Workflows: Recall Zoom 1 2 3

When it comes to adjusting the zoom level in the various editors, nothing beats these little known key commands for quick recall of different zoom perspectives: Save as Zoom and Recall Zoom.

Add Bottom End to your Bass in Logic Pro - Part 1

If a kick drum has no bottom end then it is a reasonably straightforward process to add more using a sine tone generator and noise gate. For a pitched bass part such as bass guitar, where the recorded

Using Inline Time Stretching in Cubase 6

Whether you are using Cubase 6 to remix, record bands or simply to create original music it’s highly likely that you’ll see time stretching as an important part of your production tool kit. In this sh

Freezing Delay Effects in Ohmforce’s OhmBoyz Plug-In

I have been a huge fan of the OhmBoyz delay plug-in since the moment it was released. Although it’s now been around for years it’s still a staple in my daily studio diet. It has the uncanny ability of

Reaper Part 2: Recording and Monitoring Hardware Synthesizers

I was going to start off by saying, “If you’re old school, you may have a few hardware MIDI devices lying...” However, I’ve noticed more and more, the younger generation seems to be using retro device

Creating Dub Delay in Logic or any DAW

Dub Reggae broke some crazy sonic boundaries back in the day, and is heard everywhere in modern music from Rap and Pop to Metal and Electronica. The use of delays and limited analog gear was utilized