In the second of this two-part guide to using controller devices in Native Instruments' Guitar Rig 5, Hollin Jones gets deeper into the creative effects process.
Guitar Rig is far more than the sum of its parts. Hollin Jones sets about utilizing the powerful controller devices in Native Instruments' Guitar Rig 5 in the first of this 2-part guide.
If you've sat on the fence (sic) when it comes to gating, Gary Hiebner is the perfect Logic expert to talk to. In this article you'll learn how to get creative with gating and stuttering effects.
Using unexpected sources as the basis for sound design is the name of the game in this article. Toby Pitman whisks up a pad sound from hi-hats in Native Instruments' Kontakt.
Bring back the 80's - all is forgiven… well, almost everything. Toby Pitman travels back in time, using Logic Pro, to re-create the (in)famous 80's style drum effects.
Many programs exist for creating your own instruments, from Logic Pro to MAX/MSP. Few, however, are as musically immediate and satisfying as NI's Reaktor. Toby Pitman gets synth building!
It would be great if Logic Pro came bundled with a Tube Warmth effect plug-in... Well, it does. Darren Burgos demonstrates how subtle use of Logic's Clip Distortion effect can add warmth to any track.
When it comes to mixing (or remixing in fact) Mo Volans is an expert in his field. In this article he shares 5 of his favorite mixing tips for Cubase users.
MainStage is excellent for live performance and part of that is down to how easy it can be to setup MIDI Controllers with it once you know how! David Earl shows us.
Cubase 6 has an extensive and flexible way of working with fade-ins, fade-outs, and crossfades. You can even save fades as presets. Hollin Jones uncovers the fade features in Steinberg's popular DAW.
Logic Pro expert author, trainer and film composer, Jay Asher, explains how to create stems in Logic Pro 9, and why this makes it easier and more efficient when it comes to the mixing process.
Many programs exist for creating your own instruments, from Logic's Environment to MAX/MSP. Few, however, are as musically immediate and satisfying as NI's Reaktor. Toby Pitman gets synth building!
If you're aiming to create a gated synth sound, rather than fiddle around with the controls of your chosen instrument, Gary Hiebner demonstrates an alternative workflow with added benefits.
White noise has many creative uses, from snares to kick drums and even lead sounds! Logic expert, David Earl, explores of all these in Logic Pro's ESP instrument.
Mike Watkinson uncovers and explains how to maximize the audio quality when mixing using the new 64-bit floating bus in Pro Tools 10.