The new Track Stacks in Logic Pro now gives us instant access to easily create a layered sounds, synths and textures. In this tutorial, Mo Volans explores how to combine different tasty synth types.
Used by high-profile artists and musicians (like BT), FL Studio 11 is taking the music world by storm. In this tutorial, Gary Hiebner shows how to create dub step wobble basses with ease.
Did you know that, thanks to Logic Pro X inheriting the Musical Keyboard from GarageBand, you can now create sampler instruments faster than ever? Mike Watkinson demonstrates how.
Battery 4 has seen a major overhaul with a new refined interface and loads of new features. Get the most out of this drum sampler powerhouse with Toby Pitman's essential tips.
You've got the tunes. Check. You've got the venue. Check. But your Ableton Live set still needs organizing? No problem. Tadhg Leonard shows how to vanquish the stress before your DJ set.
Hollin Jones is no stranger to big tours. During the summer of 2013, he accompanied a very well known band to Glastonbury and other venues, and decided to share some of his secrets from the road.
When it comes to filtering your sound in your favourite synth, you may have come across two mode: parallel and series. Mo Volans seeks to demystify these, and importantly show how they differ.
While Pro Tools is not traditionally known for its MIDI editing capabilities, version 10 and now 11 have brought it on leaps and bounds. Mike Watkinson checks out how to make the most of its tools.
Getting unique sounds and effects out of Logic Pro X doesn't have to mean taxing your Mac's CPU. G. W. Childs shows how to make use of the new MIDI FX plug-ins to get creating wherever you are.
Mastering (turning your demos into radio friendly, polished tracks) can be a breeze with iZotope's Ozone 5. Hollin Jones reveals 8 essential tips to help make you more proficient in Ozone.
Writer's block affects musicians and producers too. If you feel you're going round in circles it make be time to take a different approach and challenge yourself. Gary Hiebner shares 3 tips to help.
The REX format changed the face of music production back in its day and now Propellerhead have given it new life with the ability to create and edit this sliced up format directly in Reason 7.
Native Instruments' introduced a lot of new virtual kit with Komplete 9, one of these new toys is the Monark synth: a virtual analog offering that models what one can only assume is the classic Moog.
Live 9 is arguably the most exciting environment in which to create musical content. And the new Max for Live Mono Sequencer makes it even better for musicians as Noah Pred discovers.
Calling all Logic Pro X users dependent on 32-bit plug-ins like Sylenth... aside from our previous solution, there's a more integrated one using VEP. Peter Schwartz walks you through the ins and outs.