How do you work with multi-timbral instruments in Logic Pro X? This is a common question and one that master Logic composer and trainer, Jay Asher, seeks to answer in this tutorial article.
One of the biggest problems with creating a good mix is not your monitors or audio interface... it's your room. If you're not blessed with the best space to mix in IK's ARC2 can help. Here's how.
Want to advance your mixing skills by incorporating a third deck into your sets? Sara Simms shares a few ideas on how you can use your third deck in Traktor to create results that sound great.
Get your sound design tuned up nice and easy in Ableton Live with this awesome in-depth tutorial by Noah Pred. Using Captured Returns you'll be able to create something unique.
If your mix is sounding a bit flat or instruments feel hidden away it's time to employ some top tips to give your tracks more punch! Darren Burgos shows how to do just that in Logic Pro X.
Lynda Arnold is backwith another insightful article in her series on sound as a healing tool. Here she explains five simple ways you can use your own voice as an instrument to promote better health.
NI's Razor is appreciated for its cutting-edge sonic capabilities. In this tutorial, G. W. Childs slices through the many layers of this complex synth with a mind to get vocoding.
Getting started creating EDM? Here are 5 excellent tips for producing electronica in Steinberg's Cubase, courtesy of Mo Volans.
The Trap music genre seems to be constantly evolving... and borrowing from other more established styles too. In this tutorial, G. W. Childs shows how to make Trap style beats in Propellerhead Reason.
In Pro Tools 11 the Workspace Browser has received a major update, not only in its look but also functionality. Finding files has never been easier and Mike Watkinson is here to explain how and why.
The jury is most definitely in about Logic Pro X, and the overall reaction is very positive. One of the areas to receive some love from Apple was the Score Editor! Peter Schwartz takes a closer look.
Make the most of those versatile dummy clips in Ableton Live 9 with this creative tip by Tadhg Leonard. Learn how to use them for advanced control of your effects via different launch modes.
In this tutorial, sound designer, G. W. Childs, delves into a Macklemore and Lewis track, Can't Hold Us. Using FL Studio 11's Poizone, G.W. shows how to recreate its minimal synth sound.
There's grooves and then there's grooves. In this tutorial, Ableton Certified Trainer, Noah Pred, shows how to take your Ableton Live 9 groove creations to the next level polyrhythmically.
And Pro Tools users around the world rejoice! Offline bouncing is now possible in Pro Tools 11 and Avid have implemented this feature in a neat and smooth manner. Mike Waktinson breaks it down.