You've got the tunes. Check. You've got the venue. Check. But your Ableton Live set still needs organizing? No problem. Tadhg Leonard shows how to vanquish the stress before your DJ set.
Hollin Jones is no stranger to big tours. During the summer of 2013, he accompanied a very well known band to Glastonbury and other venues, and decided to share some of his secrets from the road.
When it comes to filtering your sound in your favourite synth, you may have come across two mode: parallel and series. Mo Volans seeks to demystify these, and importantly show how they differ.
While Pro Tools is not traditionally known for its MIDI editing capabilities, version 10 and now 11 have brought it on leaps and bounds. Mike Watkinson checks out how to make the most of its tools.
Getting unique sounds and effects out of Logic Pro X doesn't have to mean taxing your Mac's CPU. G. W. Childs shows how to make use of the new MIDI FX plug-ins to get creating wherever you are.
Mastering (turning your demos into radio friendly, polished tracks) can be a breeze with iZotope's Ozone 5. Hollin Jones reveals 8 essential tips to help make you more proficient in Ozone.
Writer's block affects musicians and producers too. If you feel you're going round in circles it make be time to take a different approach and challenge yourself. Gary Hiebner shares 3 tips to help.
The REX format changed the face of music production back in its day and now Propellerhead have given it new life with the ability to create and edit this sliced up format directly in Reason 7.
Native Instruments' introduced a lot of new virtual kit with Komplete 9, one of these new toys is the Monark synth: a virtual analog offering that models what one can only assume is the classic Moog.
Live 9 is arguably the most exciting environment in which to create musical content. And the new Max for Live Mono Sequencer makes it even better for musicians as Noah Pred discovers.
Calling all Logic Pro X users dependent on 32-bit plug-ins like Sylenth... aside from our previous solution, there's a more integrated one using VEP. Peter Schwartz walks you through the ins and outs.
With a name like Mojito you may suspect this subtractive synth included with PreSonus Studio One is going to be rather tasty.Gary Hiebner explores how to create bass sounds, including dubstep wobbles.
Take a tour of Ableton Live 9's features that make transforming your studio masterpieces into perfect live performance sets a breeze. Tadhg Leonard explores all you'll need to get started.
Serious sound design on an iPad? Who'd have thought it truly is both possible and desirable - especially since Propellerhead released Thor for iPad! Here's how to create a big bass patch.
The Chord Track in Cubase 7 is a powerful new feature designed to help you transfrom your music quickly. Hollin Jones introduces some timesaving tips and hints in this tutorial.