Gary Hiebner shows how easy it is to (literally) bend audio in PreSonus Studio One V2. Can time correcting audio get any simpler and more enjoyable than this?
Creating interesting sonic textures in Reason just got a whole lot cooler! Mo Volans shows how to create super modulated instruments with a lot of crazy modulation routings involved.
Not as proficient with the keyboard as you'd like to be? Or perhaps just looking for compositional inspiration? Cubase has the cure with its MIDI generative tools. Hollin Jones jumps right in.
Want to get arpeggiating in Logic Pro? There's two main ways to set this up inside Logic... but wait, with an iPad you can get hands-on thanks to StepPolyArp app. Darren Burgos shows how.
Ableton Live 9's new Convolution Reverb is infinitely expandable with your own custom impulse responses. Gary Hiebner shows how to make spaces using the included IR Measurement Tool.
Pads can be the basis for a track, though more often than not they are used for atmospheres or break downs. Mo Volans shows how to make them super, whatever the purpose, in Logic or any DAW of choice.
Who wants hotter, fatter and spicier beats? iZotope's Trash 2 is an ideal companion in such a quest. In this tutorial, G. W. Childs gets gnarly with his beats using Trash 2's side chain feature.
You've recorded your guitar and now it's time to process and refine the recorded sound. But where to start? Rich Tozzoli discusses using EQ, one of the most powerful ways to filter your sound.
Logic Pro's Score Editor is both powerful and perhaps under appreciated. Jay Asher looks to remedy the later by revealing how to put the Layout Tool to best use.
Mangling, crunching, smashing or gently warming up sounds has never been easier thanks to Cubase 7’s suite of plug-ins. Hollin Jones digs in the dirt, sonically speaking.
The idea of using Logic Pro's Apple Loops in Pro Tools might feel counter-intuitive. But, these loops are a great resource which can be accessed and used for creative ideas directly in Pro Tools.
Love Ableton Live, but miss a built-in convolution reverb? In Live 9 you can find both a convolution reverb and use impulse responses to create your own spaces and effects. Gary Hiebner sounds it out.
Let's play sonic word association... "Choir." Did you imagine angelic sounds, or similar? G. W. Childs turns this idea on its head by introducing a 'horror' element using Reason.
Loops are great. But loops can also become mind-numbingly repetitive, too. Darren Burgos, however, has a solution to adding distinct, musical variations using a MIDI controller and Logic Pro.
What came first, the music or the mood? G. W. Childs shares muses over the effect music has on our emotional states and questions whether the music we listen to it is responsible, or not.