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6 Essential Tips for NI Battery 4

Battery 4 has seen a major overhaul with a new refined interface and loads of new features. Get the most out of this drum sampler powerhouse with Toby Pitman's essential tips.

Five Point Plan on Organizing Yourself for DJing in Live 9

You've got the tunes. Check. You've got the venue. Check. But your Ableton Live set still needs organizing? No problem. Tadhg Leonard shows how to vanquish the stress before your DJ set.

Getting a Big Sound on Tour

Hollin Jones is no stranger to big tours. During the summer of 2013, he accompanied a very well known band to Glastonbury and other venues, and decided to share some of his secrets from the road.

Synth Basics: Parallel And Series Filter Modes Explained

When it comes to filtering your sound in your favourite synth, you may have come across two mode: parallel and series. Mo Volans seeks to demystify these, and importantly show how they differ.

Making MIDI Editing in Pro Tools Easier

While Pro Tools is not traditionally known for its MIDI editing capabilities, version 10 and now 11 have brought it on leaps and bounds. Mike Watkinson checks out how to make the most of its tools.

Logic Pro X MIDI FX Tutorial: Low CPU, High Creativity

Getting unique sounds and effects out of Logic Pro X doesn't have to mean taxing your Mac's CPU. G. W. Childs shows how to make use of the new MIDI FX plug-ins to get creating wherever you are.

8 Essential Tips for Mastering in iZotope Ozone 5

Mastering (turning your demos into radio friendly, polished tracks) can be a breeze with iZotope's Ozone 5. Hollin Jones reveals 8 essential tips to help make you more proficient in Ozone.

Are You Ready to Take The Music Studio Challenge?

Writer's block affects musicians and producers too. If you feel you're going round in circles it make be time to take a different approach and challenge yourself. Gary Hiebner shares 3 tips to help.

Reason 7: Creating REX Files

The REX format changed the face of music production back in its day and now Propellerhead have given it new life with the ability to create and edit this sliced up format directly in Reason 7.

Making Fat Bass Patches In NI's Monark

Native Instruments' introduced a lot of new virtual kit with Komplete 9, one of these new toys is the Monark synth: a virtual analog offering that models what one can only assume is the classic Moog.

Mastering Max for Live's Mono Sequencer

Live 9 is arguably the most exciting environment in which to create musical content. And the new Max for Live Mono Sequencer makes it even better for musicians as Noah Pred discovers.

How to Run 32-bit Plug-ins in Logic Pro X Using Vienna Ensemble Pro

Calling all Logic Pro X users dependent on 32-bit plug-ins like Sylenth... aside from our previous solution, there's a more integrated one using VEP. Peter Schwartz walks you through the ins and outs.

Subtractive Synthesis with PreSonus Studio One’s Mojito

With a name like Mojito you may suspect this subtractive synth included with PreSonus Studio One is going to be rather tasty.Gary Hiebner explores how to create bass sounds, including dubstep wobbles.

Preparing Tracks for Live Performance in Live 9

Take a tour of Ableton Live 9's features that make transforming your studio masterpieces into perfect live performance sets a breeze. Tadhg Leonard explores all you'll need to get started.

Making a Big Bass Patch in Thor for iPad

Serious sound design on an iPad? Who'd have thought it truly is both possible and desirable - especially since Propellerhead released Thor for iPad! Here's how to create a big bass patch.