Low latency, premium DSP-Native plugins, simple workflows and superior sound quality. Can Apogee's FX Rack really offer all this? Jay Asher found out.
Steinberg's high-end Thunderbolt audio interface works with any DAW but is especially tightly integrated with Cubase. Matt Vanacoro put it through its paces.
Focusrite’s free RedNet Control 2.3 application delivers Red 4Pre, Red 8Pre and Red 16Line interface control over Thunderbolt. Here's what you need to know.
Four models of DSP-powered, Thunderbolt-equipped audio interface make up Universal Audio's flagship range. Here's a product specialist to show you around them.
With upgraded clocking and converters, 6-core DSP for UAD's plugins and upcoming 5.1 surround monitoring, could the UAD X6 be the interface of Matt Vanacoro's dreams?
Focusrite's Clarett marque crosses from Thunderbolt to USB models with the Clarett 2Pre USB and its siblings. Hollin Jones finds out what all the fuss is about.
If you've never taken advantage of optical preamps to expand your UA Apollo mobile recording rig, you could be missing out! Rich Tozzoli shows you how it works and how it can help you.
UAD's pro interface, Apollo Twin MK II, now comes in three flavours, and features tons of updated internal technology.
Focusrite tell us they're on the verge of releasing a Windows driver to provide stable, low-latency operation of Clarett Thunderbolt audio interfaces.
For many pro producers, Antelope Audio will be well known for audio devices with excellent clocking and sound quality. Matt Vanacoro puts their USB & Thunderbolt Orion Studio interface to the test.
Focusrite's new advanced RED 4PRE interface provides a whopping 58 inputs/64 outputs over Thunderbolt and includes four digitally controlled mic preamps and Dante networking amongst other features.
Learn how to squeeze every last drop of performance from your audio or video production computer in this essential guide by Matt Vanacoro.
Focusrite are well known for their high-end, professional audio interfaces. The new Clarett range promises clarity, virtually no noise, and AIR preamp modeling settings. Matt Vanacoro tests the 8pre.
Hands-up who wants low-latency and high performance multi-track audio recording on their Mac? Me too... as well as almost every Computer musician I've ever met! Until now Firewire and USB 2.0 have bee