The new Eikon EKD9 dynamic microphone is cpmparable to the Shure KSM8 and other reputable mics. Jay Asher discovered the EKD9 performance mic punches well above its price tag.
Last month we reviewed the TC Electronics Brickwall Limiter. This month Matt Vanacoro puts the Master X HD multiband dynamics processing plug-in and HD-DT controller through its paces.
The Acoustic Samples B5 v3 is a stunning Leslie virtual instrument with an incredible amount of flexibility and control. Matt Vanacoro puts it through its paces.
IK bundles 70 of its premium FX and processors into a virtual rack system with a few tricks up its sleeve. Hollin Jones took it for a spin…
Behringer has been on a roll with recreating synths of yesteryear and It was welcomed when they recreated one of the most popular synths of the 70’s, the ARP 2600. Let’s take a look and listen.
Eventide have made one of their most popular, classic reverb algorithms available for everyone in Shimmerverb that takes any source and makes it literally do what its name suggests.
Does the new Roland Fantom 8 drop a marker for other keyboard synth workstation makers to measure up to? Matt Vanacoro finds out and discovers there's some futuristic features inside.
Get your retro arcade fix with the latest addition to Teenage Engineering’s Capcom series of Pocket Operators. Hollin Jones fires up the PO-133.
UVI says Shade is a next-gen Swiss Army knife filtering tool that shatters the boundaries of conventional EQ. Matt Vanacoro finds there's lots to love with this audio plugin.
iZotope RX is the industry-standard audio repair tool to restore damaged, noisy audio into a more pristine state. Joe Albano discovers the joys of version 8 in our in-depth review.
If you've dreamed of gettign the sounds and editing capabilties of the Roland Jupiter X and Fantom synths without the hardware and keyboard then Zenology is going to grab you.
Matt Vanacoro puts Finegear's Dust Collector to the test to find out whether it's a go-to hardware FX machine or whether it will indeed collect dust in your studio.
Are you looking for an oscillation for every occasion? This suite of LFO Max for Live devices for Ableton Live could be for you.
Fluid Audio's FX50 studio monitors are just shy of $150 each. Does the modest price reflect in the quality? Matt Vanacoro discovers just how good they really are.
UVI’s World Suite gets a major upgrade and brings instruments from the farthest flung parts of the globe to your DAW. Hollin Jones took it for a spin…