Antelope Audio's latest flagship audio interface has some seriously heavyweight capabilities. Find out how Joe Albano got on when he put it to the test.
Bandlab continues to expand its offering into the hardware space with a range of affordable, plug-and-play audio recording interfaces. Here's the inside story.
This free update to Røde's professional podcasting system adds much-requested multitrack audio recording direct to SD card and more. Find out more and download it here.
Focusrite’s free RedNet Control 2.3 application delivers Red 4Pre, Red 8Pre and Red 16Line interface control over Thunderbolt. Here's what you need to know.
Future proof your recording setup with the latest versions of PreSonus' interfaces, which have USB-C
Audio recording specialists Audient have teamed up with Two Notes Audio Engineering to create Sonos, an affordable interface made specially for guitarists.
Understanding the fundamentals of how digital audio recording works is the first step to making great recordings in Logic Pro X. Booker Edwards Jr is here to show you how it's done.
We've all heard of dithering but not everyone knows how important it can be to getting a clean, distortion-free mix and master. Joe Albano tells you how, why and when to use it.
Offering eight ‘Air’–enabled mic pres plus 192 kHz A–D/D–A Focusrite tell us their OctoPre is the ideal I/O expansion kit for Clarett or any interface with ADAT I/O.
The Korg Kronos Synthesizer workstation has a number of tricks up its sleeve. One of these is being able to sample audio using it and even send it through the internal effects engine.
If you're looking for a solidly built bus powered USB2 audio interface with class A Audient console mic pre's that runs up to 24-bit/96 kHz for under $150 the Audient iD4 deserves your consideration.
The key to getting a good recording is not only dependent on the microphone you use. The preamp can have a major impact too. Here's seven of the best mic pre's for recording musicians and engineers.
You will almost certainly be using audio as well as MIDI tracks in your Cubase projects. Here’s how to get it right first time.
Zoom tell us their new recorder, H4n Pro, has improved upon everything that was loved about the original H4n, including better X/Y microphones, clean preamps and super-low noise floor.
Reflection filters are a great way to tame echoes in a sonically untreated room. Aston Microphones have just joined the field with the HALO filter. Can they really make a better slap-back trap?