The "In" effect is still glitch and beat-sliced vocals. That's right all you electronica aficionados, we're talking stuttering. And Pro Tools' Transfuser does it all. Mike Watkinson demonstrates.
Following on from the loop recording options article, Mike Watkinson explores how to manage takes and multiple playlists in Pro Tools 10. Read on for a bundle of tips and shortcuts!
With a few simple tricks and a copy of Pro Tools 10 almost any sound can be created. Mike Watkinson shows howâ€"using Vacuum & Structure Freeâ€"you can produce a wobble Dubstep bass.
Pro Tools 10 does a lot of the sample rate conversion for you behind the scenes. However, there are times when you'll need to be sample-rate savvy. Mike Watkinson demonstrates when and why in Part 2.
Mike Watkinson uncovers and explains how to maximize the audio quality when mixing using the new 64-bit floating bus in Pro Tools 10.
When it comes to looping during the recording process Pro Tools has a wealth of options to hand. Mike Watkinson rounds up all the options for MIDI and audio in this article.
Pro Tools 10 does a lot of the sample rate conversion for you behind the scenes. However, there are times when you'll need to be sample-rate savvy. Mike Watkinson demonstrates when and why.
Hollin Jones gets retrospective and takes a look at the audio hardware and software that has helped to define the past year.
There's a lot more to window management than meets the eye. Scott Freiman, MPV Pro Tools Master Trainer, takes a look at how windows can be configured in Pro Tools for maximum benefit.
Working with AudioSuite-rendered clips just became much easier. For example, Trimming beyond the boundaries of the edit selection is now possible. Mike Watkinson gets a handle on this new feature.
In theory 32 bit floating point audio is the way forward. But how will it change the way you record and mix in Pro Tools? What are the practical benefits and disadvantages? Mike Watkinson explains.
The Elastic Audio features in Pro Tools provide ultimate flexibility (sic) when editing drums and rhythmic parts. Mike Watkinson puts all its modes to the test on vocal performances.
One of the most intriguing abilities in Pro Tools 10 is being able to visually match volume levels dynamically across clips. Rounik Sethi gets to grips with the new Clip-Based Gain feature.
Sometimes the best way to understand new software features is to talk to a friend or two. MPV Star trainers Bill Burgess and Scott Freiman popped by The Hub to discuss the new Pro Tools 10.
The secret is out. Avid has announced the latest version of their flagship Digital Audio Workstation, Pro Tools 10! And this new version is packed to the brim with new features and improvements.