Impulse Response reverbs can bring the sound of real world locations to your tracks. Joe Albano checks out SPACES II, the latest IR plugin reverb from EastWest.
Simulate a dizzying array of different physical locations inside your computer with the latest convolution reverb release from EastWest.
Reverb plugins, whether they emulate a classic or bring something completely unique, all have their own character. Rich Tozzoli compares five of his favorites to see how they stack up.
If you haven't explored beyond your DAW's stock reverb plug-ins, you could be missing out on a wealth of mixing options. Joe Albano shows you what's what when it comes to reverbs.
Impact reverbs are a favourite trick of dance producers, but do you know how to create them for yourself? In this short video, Multiplier breaks down the technique.
When is a reverb more than a reverb? When it's Sinevibes' Emission, with a host of interesting controls to give you a fresh take on adding space and depth to your productions for just $29.
Sometimes you want to go beyond what your DAW's own reverb can offer. In the case of LiquidSonics' Seventh Heaven Professional Reverb, G.W Childs is glad he did.
Sometimes a special kind of reverb is called for to get just the character you want. Rich Tozzoli springs into action with a guide to five of the best, well, springs!
Reverb is a staple of music production, but how much do you really know about the different types? This handy guide will help you sort your chambers from your plates...
If you're looking to understand reverb, the various types and their ideal uses in your mixes, then you're in the right place. Joe Albano is here to explain all this and more.
Knowing what NOT to do is as helpful as knowing what to do. Avoiding mistakes can result in a fuller understanding of good practice and techniques, especially when it come to mixing reverb & delay.
Applying reverb to the mix can help it sound incredible, or if badly done, muddy and mushy. Here's five important mistakes to avoid when mixing with reverb you really need to avoid.
Giving your mix separation and space will often see you reaching for reverb processors. Mo Volans takes an in-depth look at reverb in part 7 of this series on music production processing.
When mixing your next project (especially orchestral) spare a thought for your audience. Using pre-fader sends, Peter Schwartz shows how to simulate how sounds will be perceived.
Propellerhead Reason users take note! Hollin Jones is all about spatial effects and in this quick read he shares six excellent tips for making the most of reverb in Reason.