Mastering is a vital part of the production process, and there are some good hard and fast rules you can observe to make it as effective as possible. Rich Tozzoli shares his top tips.
Knowing a little - but not too much - about mastering can lead you into some bad practices. Joe Albano shares his experiences of common pitfalls and how to avoid them.
You may have heard of the Loudness Wars, but there's a whole new landscape emerging when it comes to levels. Joe Albano explains where the industry is heading.
Creating clean, smooth fades at the start and end of tracks ensures no unwanted noise makes it through to the mastering stage when you're finishing your tracks. Here's how it works.
Steinberg's much-loved mastering and wave editing suite gets a facelift as well as some powerful new tools. Hollin Jones puts WaveLab 9.5 to the test.
Mixing and mastering are two vital parts of the production process. But how do you know which kinds of processing to use at which stage? Joe Albano explains the unique requirements of both.
O8 (AKA Ozone 8) is the newest element on the iZotope periodic table, but will people bond with it? Matthew Loel T. Hepworth takes a look at its properties.
Mastering is a key part of producing sound and music. These pro video courses will help you get to grips with the process, whatever your DAW or platform.
If you've ever wondered just what modern and vintage processing types are doing to your masters and which to choose, this short video from Matt Hepworth will explain all.
Affordable wave editing software doesn't have to come with compromises. Hollin Jones found SOUND FORGE Audio Studio 12 to be surprisingly powerful, even with ridiculously low system requirements.
When there's no budget for mastering or you need to pre-master to show someone what the end results are likely to be, Waves' CLA Mixdown plug-in could be just the ticket - and an affordable one.
We've all heard about the loudness wars, but what does the term actually mean? Matt Hepworth uses WaveLab plus some commercial tracks to show you just how loud music has got - and what to do about it.
Good news, with Spotify's latest announcement, the loudness wars may finally be coming to an end. So what does this mean for producers?
Understanding the acoustics of your working space is key to getting mixes that travel well, especially when it comes to low end. Joe Albano explains why.
Mandy Parnell has worked with countless artists including the Chemical Brothers, Max Richter, Jamie XX, Björk and Brian Eno. Her story is an inspiring one.