Creating clean, smooth fades at the start and end of tracks ensures no unwanted noise makes it through to the mastering stage when you're finishing your tracks. Here's how it works.
Mixing and mastering are two vital parts of the production process. But how do you know which kinds of processing to use at which stage? Joe Albano explains the unique requirements of both.
O8 (AKA Ozone 8) is the newest element on the iZotope periodic table, but will people bond with it? Matthew Loel T. Hepworth takes a look at its properties.
If you've ever wondered just what modern and vintage processing types are doing to your masters and which to choose, this short video from Matt Hepworth will explain all.
When there's no budget for mastering or you need to pre-master to show someone what the end results are likely to be, Waves' CLA Mixdown plug-in could be just the ticket - and an affordable one.
Understanding the acoustics of your working space is key to getting mixes that travel well, especially when it comes to low end. Joe Albano explains why.
We're excited by this deal for Audified's MixChecker. You can save $50 in this sale on their acclaimed mixing assistant that'll save you time and money and make your mixes sound better for everyone.
Doing everything yourself can lead to a loss of perspective on the direction of your final master. Watch Joe Albano explain why this can be a problem, and how to fix it!
Mastering is the crucial last step in the production process. Here are some mastering apps that you should definitely check out.
In an ideal world we'd send mixes to be professionally mastered. If you're looking to master, or pre-master, in Ableton Live this FREE audio effects rack from Manmade Mastering is a must-download.
The advice from most is to not have any effects on your master channel when mixing. However, Rich Tozzoli breaks away from convention to explore how a mastering chain can help your mixes.
It's common these days for the same person to mix and master the same track. There are plenty of potential problems for engineers to take this approach though. Joe Albano explains one pitfall here.
Many aspects of music production can be automated which can make our workflow much easier. But for the art & science of mastering, can advanced artificial intelligence replace the human engineer?
Mastering is the final process when getting your music ready for the world to hear. Limiting is a big part of that. Mo Volans is on hand to help you understand the science and art of using Limiters.
The new Master Mix (3 multi-band compressor mastering plug-in with a host of useful features) has been available a few short weeks and G.W. Childs could barely hold himself back from reviewing it.