Understanding the acoustics of your working space is key to getting mixes that travel well, especially when it comes to low end. Joe Albano explains why.
We're excited by this deal for Audified's MixChecker. You can save $50 in this sale on their acclaimed mixing assistant that'll save you time and money and make your mixes sound better for everyone.
Doing everything yourself can lead to a loss of perspective on the direction of your final master. Watch Joe Albano explain why this can be a problem, and how to fix it!
Mastering is the crucial last step in the production process. Here are some mastering apps that you should definitely check out.
In an ideal world we'd send mixes to be professionally mastered. If you're looking to master, or pre-master, in Ableton Live this FREE audio effects rack from Manmade Mastering is a must-download.
The advice from most is to not have any effects on your master channel when mixing. However, Rich Tozzoli breaks away from convention to explore how a mastering chain can help your mixes.
It's common these days for the same person to mix and master the same track. There are plenty of potential problems for engineers to take this approach though. Joe Albano explains one pitfall here.
Many aspects of music production can be automated which can make our workflow much easier. But for the art & science of mastering, can advanced artificial intelligence replace the human engineer?
Mastering is the final process when getting your music ready for the world to hear. Limiting is a big part of that. Mo Volans is on hand to help you understand the science and art of using Limiters.
The new Master Mix (3 multi-band compressor mastering plug-in with a host of useful features) has been available a few short weeks and G.W. Childs could barely hold himself back from reviewing it.
There are plenty of times when you'll want to master your own music (or other musician's) in your home studio. But don't you need lots of expensive hardware? Maybe not. You can master in the box too.
The Loudness Wars continue to rage. Some might say they've been won by the "loud as possible" group. But making your tracks louder need not ruin the dynamics as Joe Albano explains in detail.
When it comes down to it, "louder" isn't necessarily the only aspect of mastering you should be concerned with. Joe Albano explains why referencing other similar tracks is so important.
When you need to render or mix down your project to a stereo file in your DAW, going from 24-bit to 16-bit, you'll come across dithering options. Matt Vanacoro explains what it is and when to use it.
Hollin Jones demonstrates how you can add that extra spit and shine to your finished mixes using Cubase's built-in tools.