Posts with tag fat-bass

Tutorial | Feb 21, 2021 by Hollin Jones

Everyone is after a great bass sound for their tracks. Here, Hollin Jones shares 5 of his pro tips for making the bottom end nice and fat.

News | Jun 05, 2019 by Hollin Jones

Get the classic sound of the 808 along with a whole world of sound tweaking tools and features with this new bass softsynth, which is discounted for a limited time only.

Review | Oct 19, 2018 by Hollin Jones

If you're after huge, ground shaking bass sounds for your drum'n'bass tracks, Parallax Kontakt Bass Engine from producers Drumsound and Bassline Smith will rock your world.

Tutorial | Jun 20, 2018 by Hollin Jones

Use this quick technique in any software or hardware synth to create a deep sub bass that can lend weight to the bottom end of your productions.

Tutorial | Aug 21, 2017 by Joe Albano

A good bass sound is key to almost any kind of music production, but how can non-bassists ensure they're getting the best results? Joe Albano breaks down better bass for everyone.

News | Aug 31, 2016 by Rounik Sethi

Korg tell us the new analog volca Kick synth delivers powerful percussive and chromatic kick, bass, and sub bass sounds. Plus it uses the filter from the MS-20 and has new performance features.

Tutorial | Sep 19, 2013 by Hollin Jones

So you know how to make a dub step bass patch in Propellerhead Reason? But maybe it's not as deep and dirty as you'd like? Have no fear, Hollin Jones is here to take your processing to the next level.

Tutorial | Aug 29, 2013 by Mo Volans

Native Instruments' introduced a lot of new virtual kit with Komplete 9, one of these new toys is the Monark synth: a virtual analog offering that models what one can only assume is the classic Moog.

Tutorial | Aug 09, 2011 by G.W. Childs IV

Getting fatter basses in Reason became a lot easier when Thor was introduced. But there's a more old school method to getting distinctive, bigger bass sounds. G.W. reveals his tricks of the trade.

Tutorial | Aug 03, 2011 by Gary Hiebner

Layering sounds can be an ideal way to enhance an instrument's tone. In this tutorial, Gary Hiebner demonstrates how to layer 3 different bass sounds to create a wider stereo mix. Good for all DAWs!

Tip | Aug 02, 2011 by Mike Watkinson

In Part 2 of this Extra Bass series Mike Watkinson demonstrates how to use a simple sine wave generated by the EXS24 to add sub-harmonic content in a controllable way.

Review | Mar 03, 2011 by Victor Mason

I once spoke with John Regan, the bass player for Peter Frampton. I asked how he liked his in-ear monitors and his less than enthusiastic reply stuck with me, "They're ok", and he said, and he went on