ADR is one of the film and TV industry's most essential tools. Here's how it works in Pro Tools, with some of the key terminology demystified!
While Pro Tools is not traditionally known for its MIDI editing capabilities, version 10 and now 11 have brought it on leaps and bounds. Mike Watkinson checks out how to make the most of its tools.
The idea of using Logic Pro's Apple Loops in Pro Tools might feel counter-intuitive. But, these loops are a great resource which can be accessed and used for creative ideas directly in Pro Tools.
Mike Watkinson gets in to the nitty gritty of repetition and loops for quick workflow excellence in Avid's Pro Tools 10.
Hollin Jones gets retrospective and takes a look at the audio hardware and software that has helped to define the past year.
The Elastic Audio features in Pro Tools provide ultimate flexibility (sic) when editing drums and rhythmic parts. Mike Watkinson puts all its modes to the test on vocal performances.
Sometimes the best way to understand new software features is to talk to a friend or two. MPV Star trainers Bill Burgess and Scott Freiman popped by The Hub to discuss the new Pro Tools 10.
Turning your ideas into a music doesn't stop once you've finished recording. These tips on arranging your session will help you save time when experimenting with your arrangement.
Traditionally if you were into audio you chose Pro Tools. If you used MIDI, you reached for Logic. This DAW polarized view has no relevance with Pro Tools 9, though! Read on...
The Beat Detective window in Pro Tools is a really useful collection of tools and processes, which comes onto its own when you need to ‘fix’ the timing of recorded audio, especially drums.
Nudging regions or selections, that is moving them left or right by a predetermined amount, is a fundamental part of the editing process. In a previous Quick Tip we looked at nudging in Logic Pro...