So you've captured a great performance off the cuff, but didn't record to a click. All is not lost however, as Ableton's Warp feature can be used to correct timing mistakes even over a long time.
If your Live session is making your computer grunt & groan under the workload, then this article from Joshua Casper is for you. Here's a multitude of ways to cut back on the CPU load in Ableton Live.
Oh my goodness. Color Bots for Ableton Live 9.5 is really unique in the way it combines cross-synthesis and harmonically complex musical phrases to add interesting colors to your sounds.
Legowelt, Dutch electronic musician, has released a free drum machine for Ableton Live 9.5 and above based on his old Amiga 909 sample floppy disc. And it sounds great.
When Push 2 & Ableton Live 9.5 were released you might have thought Push 1 owners would be left in the cold. You'd be wrong! Push 1 has benefited from useful new features as AfroDjMac shows here.
Is it true that you can turn any sample or mistake into something beautiful or suitable in Ableton Live? G.W. Childs thinks so and wants to prove it to you in this tutorial.
Finding "happy accidents" in Ableton Live is useful for generating creative sounds. Tadhg Leonard explores how to use Novation Lanchpad with Live 9's FX to make vocal samples exciting. [Video]
There's more portable music hardware available than ever before. If you own a Korg Volca or TR-8, likelihood is you'll want to hook it up to Ableton Live. Noah Pred shows how using racks.
This has to be one of the coolest mashups we've heard in a while, especially of those produced in Live 9 and performed using an Ableton Push, Leap Motion and an acoustic guitar. Watch the video here.
If you want to make your grooves stand out from the crowd in Ableton Live 9, then the Instant Haus Max for Live device is a great tool to try out. Gary Hiebner shows how to work it into your tracks.
We all love using big, resource hungry synth and effects plug-ins... but they come with a cost. Or do they? G.W Childs shares a quick tip to keep your Live sessions running smooth no matter what.
Electronic music is often accused of being stale / repetitive – but using a few tricks in Live 9's enhanced MIDI editor, it's easy to create dynamic drum loops & get them ready for use in your tracks.
Live 9.1 introduces a number of enhancements within the box. For those who enjoy working outside the box using Livid Instruments' BASE, there's a new remote script for you! Check out the video below.
There's something so satisfying about randomly stumbling upon sounds and fx you'd never have consciously created. Gary Hiebner shows how to use the Randomizer Max for Live device to good effect.
Akai's APC40 is an awesome bit of kit for DJs & producers. Rory Dow, master synthesist and Ableton Live user, explores how to make it even better using Max for Live. (Part 2/2)