UVI's BeatHawk iPad music production studio app has great bundled sounds, sample recording & editing, audio stretching, song sequencing tools and excellent connectivity options. Read the full review.
There's lots of online stores where musicians can sell their music. But, most of these, iTunes included, don't convey the personality of the artist. G. W. Childs discovers if Patreon breaks the mould.
We caught up with Sara Simms playing Casio's Trackformer XW-PD1 Groove Center at NAMM 2015 (see video) and she'd been in a privileged position to test it out fully and give it an in-depth review.
Casey Edwards, the creator of Oracle, is best known for composing music for games like Killer Instinct 1 and Killer Instinct 2. Now you can get hold of his epic sounds in Oracle.
The new Alesis VI49 looks lovely, of that there is no doubt. But, how does it perform, both as a keyboard and a controller? G. W. Childs gets hands on in our review.
Plogue tasked themselves with bringing back to life the classic machine speech synths from many a popular electronic toy from childhoods now past. Noah Pred discovers a unique and playable instrument.
The original Xkey made a splash in the portable controller market as a sleek, snug and elegant all-in-one MIDI keyboard. Matt Vanacoro puts its new 37-key big brother to the test.
If you're looking for sounds for Sylenth, Massive, Spire, FM8, Serum and more synth, then Vandalism should be on your list. Sara Simms checks out their latest soundest for Sylenth and Massive.
XILS-lab specialise in the weird and wonderful side of plug-ins based on vintage synths and vintage effects. Now they're on to re-create the perfect vocoder. Hollin Jones puts it to the test.
Weighing in with a pro Mac OS X version for its popular djing app, Algoriddim's djay Pro has advanced features including a great browser, Spotify integration and the ability to run AU plug-ins too.
The new version of Mixed In Key 7 looks clean and has some innovative new features, but how does it perform in the real world? Sara Simms takes it for a spin to find out.
If you are making dance music, industrial noise, or creating sound design for games that require a little more 'edge'... You’ll want to get hold of Rob Papen's RAW - a gnarly synth with attitude.
Outside of your DAW, there's not as many options available for mastering music as there used to be. Matt Vanacoro delves into Triumph by Audiofile Engineering to see if it fills the gap.
With stunning build quality, very detailed sound, and equally suitable for pro audio uses as for personal use, the Master & Dynamic MH40s really caught Hollin Jones' ears (and eyes).
A world of sonic mayhem in another plug-in from the twisted minds at Glitchmachines? Toby Pitman puts Cataract to the test and finds that it comes up trumps.