Reviews

Review | Oct 09, 2017 by Hollin Jones

Bringing the functionality of its high-end Seaboard hardware to the BLOCKS family is a welcome move from ROLI, making it more accessible and affordable to users. Hollin Jones plugs in.

Review | Oct 07, 2017 by G.W. Childs IV

Berlin is a world leader in producing great techno music. But what if you're not nearby and still want those signature sounds? Wave Alchemy's Berlin Techno collection could be just the ticket.

Review | Oct 06, 2017 by G.W. Childs IV

When Korg recreates one of its own classic synths in iOS format, the results are always worth paying attention to. So how did G.W Childs get on with iMono/Poly for iOS?

Review | Oct 04, 2017 by Matt Vanacoro

This loop-based production station from Umlaut, "Motors", is designed to let you quickly create useful looped breaks and patterns. Matt Vanacoro took it for a test drive.

Review | Oct 03, 2017 by Sara Simms

The XONE:K2 is portable, durable and features X:LINK to enable you to connect two mixers together. Sara Simms added it to her DJ rig to find if it could do the business.

Review | Oct 02, 2017 by Matthew Loel T. Hepworth

Anyone who uses in-ear monitors for live performance knows how challenging it can be to access a house monitor mix. Sound Tap from Ultimate Ears Pro promises to make that process faster and easier.

Review | Oct 01, 2017 by Scott Riesterer

The theory behind the way the Endorpin.es Furthrrrr Generator makes its sounds might be a head scratcher, but as Scott Riesterer discovered, it still sounds amazing and is fun to tweak.

Review | Sep 27, 2017 by Hollin Jones

Blue's compact mic and software bundle is designed for podcasters and journalists as well as anyone making music. With Mac, PC, iOS and Android compatibility, could it be the only solution you need?

Review | Sep 26, 2017 by Hollin Jones

Big Fish Audio's latest Kontakt-based instrument delivers multiple classic drum machines, effects and a powerful sequencer. Plus it's affordable, as Hollin Jones discovered.

Review | Sep 25, 2017 by G.W. Childs IV

Portable DAWs have got really powerful over the years, and Beatmaker was one of the first on the scene. Now at version 3, G.W Childs finds out if this really could replace his desktop system.

Review | Sep 23, 2017 by Jay Asher

Building up and controlling music or SFX cues for your live shows can be tricky without the right tools. Jay Asher road tested the specialised but still user-friendly Go Button 3.

Review | Sep 21, 2017 by G.W. Childs IV

If you hadn't heard of the KingKorg, you're probably not alone. But could this somewhat under-the-radar live performance synth actually be the instrument that performers have been looking for?

Review | Sep 20, 2017 by Rounik Sethi

They say good things come to those who wait. We find out if that's the case with the Arturia AudioFuse audio interface which packs an incredible amount of connectivity into a small package.

Review | Sep 19, 2017 by G.W. Childs IV

Anyone making EDM or scoring film, tv or adverts will find much to like in Heavyocity's new, Kontakt-based vocal instrument Vocalise 2: Gravity. G.W Childs fires it up...

Review | Sep 15, 2017 by Hollin Jones

Affordable wave editing software doesn't have to come with compromises. Hollin Jones found SOUND FORGE Audio Studio 12 to be surprisingly powerful, even with ridiculously low system requirements.