Focusrite's Clarett marque crosses from Thunderbolt to USB models with the Clarett 2Pre USB and its siblings. Hollin Jones finds out what all the fuss is about.
Gatekeeper is a truly versatile volume modulator plugin that can be used to shape your audio in a plethora of ways. If you’re into volume shaping creatively or precisely this is the plugin for you
Now in version 4, Reference Studio Edition brings more features and refinements for both headphones and studio monitors alike. Matthew Loel T. Hepworth dives in to test its potential.
When Elektron releases a new synthesizer there's always a lot of interest. And the Digitone is no exception. In this 23 minute in-depth review of the main feature Loopop puts it through its paces.
Adding randomization to the modulation of your CV signal is a great way to introduce all kinds of unexpected and pleasing new effects. Chance from Qu-Bit is a module that lets you do just that.
IK's multi-purpose portable mic has had a facelift and some important upgrades. Hollin Jones takes to the road with the iRig Mic HD 2.
The Korg Volca synth range has reached a new level of maturity thanks to the addition of volca mix that syncs multiple volca machines. Here's the first video review of Volca Mix.
A high quality preamp can make a world of difference to your recordings. But would the Heritage Audio HA73 & 73 EQ Elite deliver? Matt Vanacoro found out...
Going far beyond what a regular MIDI controller can offer, Artiphon's Instrument 1 opens up a whole new world of performance. G.W Childs is suitably impressed...
Antelope's new interface promises next-level mic modelling alongside premium audio recording. Matt Vanacoro falls in love all over again...
Sometimes only a real hardware synth will do when it comes to live performance. Here are 5 classics that have served G.W Childs well over the years.
Packing a colossal number of algorithms into a tiny package, Expert Sleepers' Disting could well be your go-to module for all kinds of sounds. Scott Riesterer explains why...
No studio monitor is inherently flat, but ARC 2.5 can give any speakers a neutral response, plus it has some other tricks up its sleeve. Matthew Loel T. Hepworth gives it a smooth review.
A third party audio-to-MIDI extractor tool can be just the ticket for getting more control over your tracks. So how would LESounds' Groove Extractor measure up?
This self-powered mixer has multiple channels and is perfect for recording all your sources. Jade Wii finds out if Roland's Go: Mixer could be the ultimate in portability.