From checking your gear to checking your goals, here are 5 tips that will help ease you back into the world of live music performance.
The K-2 from Behringer (MS-20 clone) has, for the most part, been under the radar compared to the other big synthesizer announcements. There's already 2,000 units ready to ship, and more on the way.
With 6 Selectable Synthesis / Operation Modes and a surprisingly accessible price, this hardware synth could be just the thing for experimentalists and producers alike.
DPA tells us their new DPA 2028 live vocal microphone has been expertly designed and built to survive the road.
A little master processing applied at the very end of the mixing process can make all the difference to your productions. Noah Pred shows you exactly why.
Logic is wildly popular, but how much do you know about its origins? Matt Vanacoro takes you on a trip down memory lane with this history of one of the world's greatest DAWs.
Match your gear to your studio with this new black version of the Isovox 2, a dedicated portable vocal isolation booth that helps you get clean takes every time.
The latest addition to NI's family of audio interfaces adds more I/O, MIDI, dual headphone outs and a generous software bundle. Hollin Jones put it through its paces.
Save serious money on some of Steinberg's flagship instruments including HALion 6 and Groove Agent 5. Here's how.
Eliminate hardware lag in your MIDI chain with this compact and ARM-powered MIDI interface, perfect for linking up your software and hardware from desktop to mobile.
Noriyasu San, the legendary Japanese synth builder, was photographed playing the Behringer clone of his own Roland VP330... and he expressed his happiness.
If you've ever struggled with the existing interface of the Korg MS-20 Mini these synthesizer overlays could help you unlock the potential behind the complexity.
Get everything from subtle correction to hard, EDM-style vocal shifting with Antares Auto-Tune EFX+. Josh Carney shows you how.
'˜Hot-rodded' hardware included from the ground up to include six ARM-based DSP processors makes this new audio interface from Antelope a formidable beast indeed.
Equalizing the bass end of a mix can be tricky and there's plenty of scope for error. Here, Joe Albano shares his years of experience and shows you how to get it right.