Newest Articles

Tutorial | Nov 15, 2010 by Andrew Turner

As any audio engineer will tell you these days, automation in a Digital Audio Workstation is the greatest thing since sliced bread. Back in the old days, on an analog SSL console you would have to rid

Tip | Nov 14, 2010 by Steve H

Foreword by Rounik Sethi: Logic is a fantastic tool to use when scoring sound to video. However, there are some well-discussed limitations, and in the Logic-world that inevitably means are some less w

Tutorial | Nov 13, 2010 by Rounik Sethi

You've recorded a great multi-track drum take. The performance was perfect, but let's say the kick drum sound leaves a lot to be desired... What do you do? In previous versions of Logic you had a coup

Tutorial | Nov 10, 2010 by Rounik Sethi

Compressors can be a great way to even out the dynamics of a drum mix, vocal performance or any audio signal. A compressor works by lowering the gain when the signal jumps above a certain level or thr

Tip | Nov 05, 2010 by Rounik Sethi

An often used technique in music production to spice up a song is to reverse a sound. Commonly used in Electronic forms of Dance music is a reversed Crash Cymbal which can be a great way to lead in to

Tutorial | Oct 29, 2010 by Rounik Sethi

I have a confession to make... I'm addicted to creating weird (and sometimes wonderful) sound effects in Logic. There's something undeniably satisfying about stretching, flexing, effecting, warping, a

Tutorial | Oct 28, 2010 by Andrew Apollos

Customizing your Transport Bar Whether you are a beginner at computer music production or a seasoned professional, one thing all recording artists and producers can agree upon is that if not managed

Editorial | Oct 28, 2010 by DJ Wolfie

One of my friends is deep in the Paul Oakenfold camp. They put me on the list for his show, and off I went to see the new spectacle. Paul's new LCD DJ booth was quite incredible. Its a beautiful LED w

Tutorial | Oct 26, 2010 by Rounik Sethi

When not hanging around the macProVideo forums you can usually find me immersed deep in my studio using Logic's instruments and effects designing and creating ambient textures and

Tutorial | Oct 24, 2010 by Andrew Turner

Auto Modulation in Max for Ableton Live One of the wonderful things about max for live is the fact that you can modulate any parameter in Ableton Live that is automatable.  For example, using a si

Tip | Oct 21, 2010 by Ian Graham

One of the biggest problems that a band faces is hearing themselves onstage and protecting themselves from hearing loss, especially when they go from venue to venue and each room can sound different.

Tip | Oct 19, 2010 by Chris McCoy

REVerence, in Cubase, is a convolution reverb unit used to create realistic spacial effects. Chris McCoy shows how to create custom impulse responses by making some white noise.

Review | Oct 17, 2010 by DJ Wolfie

A DJ's real-world experience with the APC 40 I did about 6 months of DJ gigs with the APC 40 - including some big festivals like Coachella on the west coast and the All Points West Festival on the eas

Tip | Oct 14, 2010 by Cliff Truesdell

From the pioneering multitrack recordings of Les Paul and Mary Ford to just about every genre in existence today, doubling and layering of vocal performances has long been standard operating procedure

Tutorial | Oct 12, 2010 by Andrew Turner

Sound Hacking in Max4live Spectral analysis is one of the more advanced ways to exert more control over your audio material. Electronic Musicians have been using this technique to refine the timbral q