Whatever bass sound you're looking to create, Trilian by Spectrasonics obliges! Hollin Jones gets mucky showing how to create a dirty bass sounds using this incredible instrument.
IK Multimedia was one of first companies to treat the iPhone/iPad as a useful platform for music makers with iRig Mic & iRig (for guitarists). Mo Volans tests out their new iRig MIDI interface.
What makes a reverb effect stand out from the crowd? Gary Hiebner loads up the Eos by Audio Damage to find out.
After all this time the MPC still holds its own. If you're out to get that MPC feel via software then Cubase 6 has something for you. Mo Volans gets looping in Groove Agent.
Programming electro (or acoustic) drums needn't result in robotic sounding, grooveless beats. Mo Volans adds a human touch to his rhythm section in Ableton Live.
Parallel/New York Compression is all the rage right now to make that pumping sound but Serial Compression can also create impressive results. Gary Hiebner looks into the dynamics of audio!
When it comes to giving life to recorded vocals, most producers add some reverb. G.W. Childs shows how to air off vocals in GarageBand.
Vocoding seems to capture the imagination of every musical genre whether it's used on the voice or other instruments. G.W. Childs exercises his vocal chords and synthetic sensibilities in Reason 6.
Moog releasing Animoog for iPad has created a lot of buzz amongst iPad-wielding musicians. Richard Lainhart delves in deeply, as only experienced synthesists can, to discover how special this app is.
Software versions are constantly changing so how you can be sure your current projects can be accessed in 10 years? Gary Hiebner looks to the future with these tips on archiving audio projects.
Reaktor users may be familiar with Twisted Tools (creators of inspiring instruments, effects). Rounik Sethi checks out their new sample pack, Transform, packed with evocative, Sci-Fi sounds.
Grouping and linking channels in any DAW can certainly lend more creative options to your mixing process. And Cubase doesn't disappoint in this area as Hollin Jones discovers.
When it comes to creating drum parts, Ultrabeat provides a ton of suitable sounds for almost any musical style. And for programming the patterns? Mo Volans steps up with a House Beat pattern.
Practically every musical style relies upon transitions and build-ups to maintain listener attention, communicate emotion and ultimately tell a story. Gary Hiebner gets noisy in Ableton SImpler.
The new Echo device in Reason 6 does more than its streamlined appearance suggests. Yes, it's a great delay effect, but G.W. Childs takes its processing capabilities to another level.