Software versions are constantly changing so how you can be sure your current projects can be accessed in 10 years? Gary Hiebner looks to the future with these tips on archiving audio projects.
Reaktor users may be familiar with Twisted Tools (creators of inspiring instruments, effects). Rounik Sethi checks out their new sample pack, Transform, packed with evocative, Sci-Fi sounds.
Grouping and linking channels in any DAW can certainly lend more creative options to your mixing process. And Cubase doesn't disappoint in this area as Hollin Jones discovers.
When it comes to creating drum parts, Ultrabeat provides a ton of suitable sounds for almost any musical style. And for programming the patterns? Mo Volans steps up with a House Beat pattern.
Practically every musical style relies upon transitions and build-ups to maintain listener attention, communicate emotion and ultimately tell a story. Gary Hiebner gets noisy in Ableton SImpler.
The new Echo device in Reason 6 does more than its streamlined appearance suggests. Yes, it's a great delay effect, but G.W. Childs takes its processing capabilities to another level.
Cloud based backup services for musicians have come and gone over the past few years. So how is Gobbler different from the rest? GW Childs keeps his feet on the ground and head in the clouds.
Creating a club edit or a radio edit of your finished track inevitably involves some artistic compromise. Gary Hiebner shows some practical steps involved in creating radio edits in Logic Pro.
Maschine comes packed with a very comprehensive library of sounds, but if want more beats and instruments then NI's expansion packs for Maschine are a great option. Mo Volans delves in.
In this MPV Free Stuff, Peter Schwartz has conjured up a Logic Pro environment to give you unparalleled control over EastWest's Play Instrument. Read on for full instructions and download link.
Propellerhead is famous for their popular and great-sounding music software. So when they announced a new audio interface, Balance, Mo Volans wasted no time in putting it through its paces.
Once you're done working on your music in Reason 6 it's time to export the song, or even export parts of the project so it can be mixed by someone else. Hollin Jones runs through all the options.
A thin, weak kick drum can single-handedly undermine the impact of a decent mix. GW Childs ditches his diet in a bid to fatten up his kick drum using Ableton's compressor and reverb plugins.
Using keyboard shortcuts can save you lots of time over trawling through menus with your mouse. Cubase 6 takes efficiency to the next level; Macros that combine multiple shortcuts in one keystroke.
Even guitar playing pros can come unstuck when faced with playing a challenging riff or two. Toby Pitman explains how going back to basic practice exercises can get you shredding again in no time.