Learn how to set up side-chaining in Logic Pro with David Earl. Using the EVOC 20 (Logic's Vocoder Synth), David shows how following signal flow will help to set up side-chaining super quick.
Learn the essential process of sampling in Propellerhead Reason (in this case using ReDrum) with Hollin Jones.
Wouldn't it be great if you could add random elements to your compositions so no two audition would ever sound the same? You can! Gary Hiebner opens up the generative side of Ableton Live (PART 2).
With a few simple tricks and a copy of Pro Tools 10 almost any sound can be created. Mike Watkinson shows how'"using Vacuum & Structure Free'"you can produce a wobble Dubstep bass.
Darren Burgos gets his chops together in this step by step on how to quickly create Electro and Dubstep style stop/chop audio effects using Take Folders in Logic Pro.
Find out the essentials on NI's flexible modulation system in Native Instruments' Massive. Mo Volans takes it step by step in this guide on how to build your own effects.
Despite the point release, this updated version of GarageBand for iPad & iPhone packs some intriguing new features. Mike Watkinson explores Smart Strings, MIDI editing and more.
MainStage 2 can be your perfect backing track. David Earl (a.k.a. sflogicninja), shows how to import your tracks from Logic Pro to MainStage and sync playback for your next performance.
Toby Pitman has created a bunch of Guitar Rig presets exclusively for Hub members. Log-in/sign-up for a free account to download them now!
With so many instruments and effects to choose from, how do you go about improving your lead sounds in Reason? Simple. Read and follow along with this step-by-step article by G. W. Childs.
Ableton users are always on the look out for more workflow tips'¦ so Rory Dow, Ableton tipster extraordinaire, has come up with 3 essential Ableton Live tips for studio use and/or live performance.
Knowing how to make synced sweeps is useful for more than just EDM. Darren Burgos demonstrates how the Vector Envelope in Logic Pro's ES 2 can be used to achieve this and more.
NI's Massive is, for fear of stating the obvious, a HUGE synth! In this article, Mo Volans explores how to get the best out of its unique Performer and Stepper LFOs.
When it comes to choosing an orchestral sample library, you don't necessarily need to focus on how 'real' it sounds. Jay Asher, master composer and Logic guru explains why.
What should you do with those hordes of CDs you never listen to anymore? G.W. Childs rips open his 'other' CD collection and gets sampling.