Looking for a reasonably priced dynamic broadcast quality microphone for under $230? Gary Hiebner gives the Rode Procaster a thorough workout and compares it against more expensive alternatives.
There's a ton of options when you need an EQ in Cubase 7. Hollin Jones filters out the new from the old, and reveals some often unknown tricks for working with EQ in Steinberg's popular DAW.
So, you want an authentic sounding Hammond organ instrument and software emulations just aren't doing it? German company Ferrofish may have designed the perfect solution...
Reason is an intuitive platform to mix in. But what about at the mastering stage? Mo Volans shares 5 tips to help you get kitted out and ready to finish off your projects.
If you've ever seen Thom Yorke DJing, you may have heard the intriguing beats of the track, Fukushima. We caught up with PHON.O, the artist responsible, and talked about Ableton Push, sampling & more.
Logic Pro's Space Designer is an excellent convolution reverb. However, using IR's can add muddiness to your sound. Jay Asher shares a clever technique to help you achieve better and clearer mixes.
Having had the luxury to cosy up with his Push, Noah Pred shares some insights on how to squeeze the most out of Ableton's premium hardware instrument and controller.
The Orchestra for iPad by Touch Press, is an interactive entry point into the fascinating world of orchestral music. Adam Goldberg experiences every aspect in this review.
One developer known as Audanika thinks that they've developed a new instrument interface that alleviates the need for any prior training in music. Have they succeeded? G. W. Childs finds out.
Does the Sample Logic Assault library come up trumps? Toby Pitman sets out to discover whether it assaults your sonic senses in a positive way!
Logic Remote is the free iOS app for iPad, designed specifically to control Logic Pro X. There are plenty of third-party remote control apps out there, so what is it that makes this app so special?
Rob Papen's Predator is more than a synth. For some, it's on their essential studio gear list, which is no surprise as it's incredibly versatile and sounds great. G. W. tours the Arp capabilities.
Native Instruments have a 2+2 channel DJ mixer? Yup! And as you'd expect it's designed for Traktor, but can be used as a standalone DJ mixer too. Sara Simms pushes and pulls in our full review.
If you listen to professionally produced songs featuring synths, you may be fooled into thinking the synth is a single preset. Matt Loel T Hepworth dispels the illusion by layering them up in Cubase.
Making beats becomes even more fun when you've got great tools designed by creative minds... like those at Propellerhead. Hollin Jones explores some esoteric mangling opportunities for beat makers.