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Tutorial | Nov 30, 2010 by DJ Wolfie

Have you ever thought about working on a film project? With Hi Def cameras basically coming free as a prize in a box of corn flakes these days, there's more chances to do sound production on films tha

Tip | Nov 29, 2010 by Andrew Apollos

In this Quick Tip, I want to change course a bit and go a little deeper by exploring what some of the more powerful devices in Reason can do to help you reach your production goals. There are many way

Tip | Nov 28, 2010 by Rounik Sethi

There are a lot of guitar simulation plug-ins available for digital musicians these days. Included with Logic 9 is Amp Designer and Pedal Board - a welcome departure from the older Guitar Amp Pro plug

Tutorial | Nov 27, 2010 by Rounik Sethi

Learning how to automate levels, pan and virtually any plug-in control in Logic opens a whole world of possibilities when mixing your music. Not only can you draw automation offline but you can also r

Tutorial | Nov 26, 2010 by DJ Wolfie

Through the years, a new story has developed. Starting with the industrial revolution, a storyline evolved as a morality tale warning mankind about his inventions. The base of it is " Man invents obj

Review | Nov 25, 2010 by Victor Mason

Advanced Room Correction, or ARC by IK Multimedia is a software plugin that acts as a correction treatment without really having to "Treat The Room". It's a solution for those of us who are NOT in the

Tip | Nov 24, 2010 by Andrew Apollos

When using Reason to build your tracks perhaps the best feature is the ability to "hands on" design your set up as you like. Reason only has a 14-channel mixer and this can appear to present some limi

Tip | Nov 23, 2010 by Rounik Sethi

In continuation of the recent MIDI Editing Quick Tip: The Art of Selection, I'd like to share one essential and marvelous work flow tip that can save you huge amounts of time. If you've ever needed to

Tutorial | Nov 22, 2010 by Rounik Sethi

In the first part of this How-to create glitch effects series in Logic we explored the process of manipulating audio samples / micro-sounds in the Arrange  window. Giving the sense of a hit or sound

Tip | Nov 20, 2010 by Rounik Sethi

Logic has always been very strong in the MIDI department. Despite the introduction of advanced audio editing features in Logic 9, such as Flex Time, MIDI is still king of the hill and the easiest and

Tutorial | Nov 19, 2010 by Ian Graham

Christmas is around the corner and many jazz pianists might be finding that they are busy with holiday parties. Playing solo lounge piano during cocktail or dinner soirees can be fun but after awhile,

Tip | Nov 18, 2010 by Rounik Sethi

If you map one audio sample in Logic's EXS24 from C1 to C4 not only will you be able to create a pitched instrument, you will also notice the duration of the sample will be altered. The higher the pit

Tutorial | Nov 17, 2010 by Rounik Sethi

One of the most famous experimental glitch artists today is BT. His album "This Binary Universe" is a favorite in my collection and features carefully crafted microsounds that stutter in and out of ti

Review | Nov 16, 2010 by Rounik Sethi

Every time there is an announcement of a new version of Pro Tools, Cubase or Logic, the rumor-mill in the world of DAWs proclaims it to be the "[insert competitors DAW here] Killer". I take these stat

Tutorial | Nov 15, 2010 by Andrew Turner

As any audio engineer will tell you these days, automation in a Digital Audio Workstation is the greatest thing since sliced bread. Back in the old days, on an analog SSL console you would have to rid