Newest Articles

Review | Aug 13, 2011 by Richard Lainhart

We've seen guitar amps, synths, sequencers and even mini and fully-featured Music Studios for iOS. Now there's an orchestral library that can fit in your pocket. Richard Lainhart tests it to the max!

Tutorial | Aug 12, 2011 by G.W. Childs IV

In this Sound Design tutorial, GW Childs reminisces about love, life and music. In the process he shares how to use Reason to create the guitar section from Lil' Wayne's sultry classic, 'How to Love'.

Editorial | Aug 11, 2011 by Rounik Sethi

The 'Name That Sound' winners have been announced! Did you win the awesome prizes in the Jordan Rudess, SampleWiz & mPV Competition? Find out! Free SampleWiz patches are still available for download.

Tip | Aug 11, 2011 by DJ Wolfie

The terms Mixing and Mastering are often confused. Both are very distinct processes. In this article DJ Wolfie outlines the differences between them both and shares some DAW independent Mixing Tips.

Tutorial | Aug 10, 2011 by Mike Watkinson

Fixing the timing of recorded audio, especially drums has fast become an essential staple for digital musicians and producers. But how can you mimic Beat Detective in Logic Pro? Is it easier in Logic?

Tutorial | Aug 09, 2011 by G.W. Childs IV

Getting fatter basses in Reason became a lot easier when Thor was introduced. But there's a more old school method to getting distinctive, bigger bass sounds. G.W. reveals his tricks of the trade.

Tutorial | Aug 08, 2011 by Peter Schwartz

Logic contains multiple editors to help you edit your audio and MIDI regions, respectively. And, when editing regions, it's imperative to understand how the link modes alter what the editor displays.

Tutorial | Aug 07, 2011 by Mike Watkinson

GarageBand is based on the same powerful engine as its larger sibling, Logic Pro. Alongside the powerful features are some peculiarities, such as the differences when trimming MIDI & audio regions...

Tutorial | Aug 05, 2011 by Richard Lainhart

Daft Punk's "Around The World", released in the late 90s was a big hit. As well as inspiring countless tunes & remixes, it inspired Richard Lainhart to recreate the key synth hook.

Tip | Aug 05, 2011 by Mo Volans

Sidechaining is used extensively in all styles of music. It can be used to correct a mix, duck out a secondary audio signal or as a creative effect. But first you need to know how to set it.

Review | Aug 04, 2011 by Mike Watkinson

There are a growing number of accessories and controllers aimed at the iPad-wielding digital musician. Mike Watkinson takes a close look at the new Alesis iO Dock and all it has to offer.

Tutorial | Aug 03, 2011 by Gary Hiebner

Layering sounds can be an ideal way to enhance an instrument's tone. In this tutorial, Gary Hiebner demonstrates how to layer 3 different bass sounds to create a wider stereo mix. Good for all DAWs!

Editorial | Aug 02, 2011 by Rounik Sethi

Native Instruments Komplete 7 was big. You'll likely never discover every sound! Time to be bowled over by the recent Komplete 8 announcement. It's huge! Read on to discover the major new features.

Tip | Aug 02, 2011 by Mike Watkinson

In Part 2 of this Extra Bass series Mike Watkinson demonstrates how to use a simple sine wave generated by the EXS24 to add sub-harmonic content in a controllable way.

Tip | Aug 01, 2011 by Mo Volans

Mo Volans shares his own top 3 secret power-user tips and tricks for Native Instruments' Big, Bad synth: Massive.