Newest Articles

Tip | Oct 21, 2010 by Ian Graham

One of the biggest problems that a band faces is hearing themselves onstage and protecting themselves from hearing loss, especially when they go from venue to venue and each room can sound different.

Tip | Oct 19, 2010 by Chris McCoy

REVerence, in Cubase, is a convolution reverb unit used to create realistic spacial effects. Chris McCoy shows how to create custom impulse responses by making some white noise.

Review | Oct 17, 2010 by DJ Wolfie

A DJ's real-world experience with the APC 40 I did about 6 months of DJ gigs with the APC 40 - including some big festivals like Coachella on the west coast and the All Points West Festival on the eas

Tip | Oct 14, 2010 by Cliff Truesdell

From the pioneering multitrack recordings of Les Paul and Mary Ford to just about every genre in existence today, doubling and layering of vocal performances has long been standard operating procedure

Tutorial | Oct 12, 2010 by Andrew Turner

Sound Hacking in Max4live Spectral analysis is one of the more advanced ways to exert more control over your audio material. Electronic Musicians have been using this technique to refine the timbral q

Tutorial | Oct 08, 2010 by Tobias Escher

Sibelius without doubt is one of the best applications for notating music out there (if you ask me it's the best), but its wealth of features come at a price. Actually I don't mean that it is hard to

Tutorial | Oct 06, 2010 by Andrew Turner

Tonight I am in the studio with local legend Mike Anderson, master storyteller, composer of children's music, and dulcimer player.  We will be recording directly to a Tascam CD-Recorder through a Ma .

Tutorial | Oct 04, 2010 by Rounik Sethi

Advanced Audio Editing Techniques for Logic Pro & Express Editing audio in Logic 9 is easy. You can resize, cut, paste, copy sections of a region using the Marquee tool, etc. But one little known ...

Tutorial | Sep 30, 2010 by Rounik Sethi

Cleaning up noisy audio recordings Nobody likes a noisy recording. You know, whether it be a recording of guitars, drums or most of all spoken word... the hiss or hum of background noise, traffic, com

Tutorial | Sep 27, 2010 by Tobias Escher

When looking at the setup of most Logic users, one thing stands out: Hardly anyone ever changes the default appearance of the Logic window. Some open the occasional e

Tutorial | Sep 24, 2010 by Alex Fraser

I can't remember the name, but I once read a quote from a famous mix engineer about mixing. I'll paraphrase it: "There's no such thing as the perfect mix, only what you deemed to be a good mix

Tutorial | Sep 17, 2010 by Andrew Turner

Touching it up with TouchAble I'm in the studio after a fresh update to Ableton Live. I haven't showered, my HP tablet died, I couldn't get TouchAble to work last night, and our water heater is on th

Tutorial | Sep 11, 2010 by Rounik Sethi

So, you've finished composing, recording, arranging, mixing and mastering your song/music in Logic. What next? Well, you could play your finished music tracks in Logic... as much as I love Logic, it's

Tutorial | Sep 06, 2010 by Rounik Sethi

When musical inspiration strikes are you prepared? So, you've got a musical idea and you want to put that idea in Logic the last thing you want is to lose that potential hit track while setting up you

Tutorial | Sep 02, 2010 by Andrew Turner

Hands-on control of Ableton Live with LiveControl Control Freak If you have ever used a computer mouse with Ableton Live in Session Mode, you know that once the beat is rolling, it is a little inco .