The Daft Punk Sons of Flynn soundtrack for Tron was arguably one of the best bits of film music from 2010. G.W. Childs is still rocking to it and shows how to create the arpeggiations in Reason 6.
The new audio procedures in Reason 6 may leave some old school Reason users confused. However, it's well worth the effort to learn how these powerful audio features work. G.W. Childs investigates!
Every DAW has a mixer so what makes Reason 6's new mixing console stand out from the pack? Mo Volans breaks down each aspect of this console from the SSL-modeled format to the master bus compressor.
Hardware controllers remain ever popular for digital musicians. But with the limitless number of devices, and therefore, parameters in Reason how can they all be controlled? Enter Remote Overrides...
The unthinkable has finally happened: Reason 6 users can now record audio! Yes, it's the real deal and one process you may not be all that familiar with. Hollin Jones is armed and ready to go.
Creating Combinators in Reason 6 provides a custom mix of your own sounds in one 'box', and allows for all sorts of wizardry and creativity. G.W. Childs brings it all together for Hip-Hop lovers.
In the first article of our mammoth 6 days of Reason 6 Hub extravaganza, Mo Volans dives into one of the best music-making packages ever and explores what's changed and whether it's improved...
If you're fond of advent calendars then '6 Days of Reason 6' will appeal to you. To celebrate the release of Reason 6 we're publishing at least one Reason 6 article every day for 6 consecutive days!
Maschine is fast becoming the real successor to the much-loved MPC. In this tutorial Mo Volans gets hands on with Maschine and explains just what makes it stand out from the crowd...
What do you get when you combine Brazilian rhythms based on Samba & Bossa Nova, a traditional western drum kit & a professional drum programmer? Toby Pitman hits the spot in this essential tutorial.
Abelton Live is so much more than a live performance tool. It's a serious studio DAW and one of the first ports of call for G.W. Childs when it comes to designing sounds and FX.
Almost every major music single release gets the remix treatment. In the Final Part of this "How to Remix" series, Mo Volans explains the mastering and delivery process for the final remix.
Most Absynth users are so blown away with its capabilities as a software instrument that they pass over using it as a powerful effects processor! Gary Hiebner explores the other side of Absynth.
Omnisphere by Spectrasonics is arguably one of the most amazing virtual instruments ever made. Although it comes with a huge number of patches, Toby Pitman has created 10 exclusive patches to use!
Ableton Live is arguably the most exciting audio application on earth to use as a beat mangling device. In this quick tutorial, Mo Volans gets scrunching and twisting with Ableton's built-in FX.