Pedalboard in Logic Pro isn't just of guitarists. In this article, Mo Volans demonstrates how beats and drums can be processed with the suite of guitar style pedals for interesting effects.
The GarageBand update for iOS brought a new jamming feature. But before its release Korg's WIST opened the doorway to cross-device and app collaboration. Mike Watkinson shares his thoughts.
Share and share alike! Whether you're an Ableton, Pro Tools or Logic user, knowing how to export all tracks makes sharing with other easy. G.W. Childs explores the export options in Ableton Live.
Jeff Greenberg is a Master Adobe, Apple, and Avid Instructor in editorial, compositing, sound, color correction & compression. He popped by The Hub to chat about what's going on in the video world.
Sampling has been around since the first recording device. It's as useful today as it ever was. Darren Burgos digs out Logic's veteran sampler, EXS24, to show how to roll your own sampler instrument.
Max for Live was a revolutionary step forward and made the Max environment open and accessible for Ableton Live users. Gary Hiebner take a deep look at an add-on pack that brings CSound to the party.
Guitar effects aren't only for guitarists! Hollin Jones takes some of the best guitar effects that Reason has to offer and applies them to a synth bass. Read and listen to the results...
When Dave Smith & Roger Linn collaborate on an analog drum machine you can expect something special. Rory Dow, synth master, gets hands on and discovers Tempest is more than just a drum machine!
One of the more unexplored areas of Logic Pro, the Environment, holds some of the most rewarding features. One of these, Touch Tracks, is widely unexplored… until now, thanks to David Earl!
Finished your mix, mastered your song, or just want to render some effects to a separate track? You'll need to understand how to bounce or export to audio. Mo Volans shares 5 tips for any DAW user.
Got 2 minutes to spare to create some music (that actually sounds good!)? Got an iPhone or an iPad? Figure by Propellerhead is for you. Mike Watkinson is bowled over by just how excellent it is.
The folks at VSL have created an ingenious solution to loading large libraries outside of an application. Logic composer and guru, Jay Asher, shows how Vienna Ensemble Pro and Logic Pro can gel.
If you ever need to compose music or create foley to sync with video Cubase provides a clear and easy approach. Hollin Jones runs through what you need to know to sync your ideas with the director's!
Switch on the radio or TV and you'll hear the use of samples in music or foley. They're everywhere! G.W. Childs shares 3 tips for Propellerhead Reason users on making best use of our sample libraries.
Following on from the loop recording options article, Mike Watkinson explores how to manage takes and multiple playlists in Pro Tools 10. Read on for a bundle of tips and shortcuts!