Newest Articles

Tip | Jan 14, 2013 by Rich Tozzoli

The last thing you want is to trip over cabling, injure your back or mistrust your mixes in your project studio. Rich Tozzoli offers 5 easy steps on staying organized and productive.

Tutorial | Jan 14, 2013 by Gary Hiebner

Logic Pro's Hyper Editor isn't the prettiest to look at - but is incredibly powerful and useful. Gary Hiebner shows how to use the Hyper Editor to jump between Program changes and pitch changes.

Review | Jan 13, 2013 by Hollin Jones

Ever since the synthetic instruments, we've has been trying to create realistic guitar instruments, cue RealGuitar3... Hollin Jones frets not as he tests out what RealGuitar3 has on offer.

Editorial | Jan 12, 2013 by Toby Pitman

Think musician, and you may picture sheet music reading. But, is the ability to read music important? How crucial is it for professionals relying on computer software? Toby Pitman explores.

Review | Jan 11, 2013 by Sara Simms

With the recent launch of the CDJ-2000nexus, has Pioneer has once again jumped ahead of the DJ industry crowd? Sara Simms puts it to the test in this in-depth review.

Tutorial | Jan 11, 2013 by Mo Volans

Dig deeper into how to utilize the CV/Gate system in Propellerhead's Reason for advanced modulation mastery. Mo Volans takes you through step by step.

Interview | Jan 10, 2013 by Rennie Foster

Hiroshi Watanabe is a definitive force in modern Japanese electronic music. Well known for designing the custom Vestax TR-1 controller for Traktor, we tracked him down for this exclusive interview.

Review | Jan 09, 2013 by G.W. Childs IV

There's soft synths and there's soft synths... and when Rob Papen releases a virtual instrument you can be sure it'll create cutting edge sounds. GW Childs cuts to the chase in this review of Blade.

Tip | Jan 09, 2013 by Gary Hiebner

Get your Ableton beats into the swing (of things) with this fab tip by Gary Hiebner on using Ableton's Simple Delay for loose, triplet-style rhythmic patterns.

Review | Jan 08, 2013 by Toby Pitman

It didn't ned much (read: any) convincing to get Toby Pitman to review the UAD Apollo audio interface. He was expecting big things from this lovely bit of kit... and he wasn't left wanting!

Review | Jan 07, 2013 by Mo Volans

Before GarageBand for iOS was introduced, a DAW on a tablet seemed far-fetched. GB for iOS (and Auria) changed all that, though there's still room for more. So, how does Cubasis for iPad fare?

Tip | Jan 07, 2013 by Darren Burgos

Reversing / flipping / twisting sounds can bring much joy when making beats or designing sound effects. Darren Burgos demonstrates how to do all this and more in Logic Pro.

Review | Jan 05, 2013 by Mike Watkinson

The PreSonus AudioBox 1818 VSL is on 'the' list by Apple as a supported audio interface for iPad and Mac. Mike Watkinson takes it out for a spin to see how well it performs with musicians in mind.

Tutorial | Jan 04, 2013 by Noah Pred

Dust off and shake up your sounds with this excellent tutorial by Noah Pred. Discover how to add some dynamism using multi-band FX in Ableton Live.

Tutorial | Jan 03, 2013 by Jay Asher

In almost every genre of pop/rock music, a guiding principle is that the bass player and the drummer’s kick drum need to be locked in for the music to groove. Logic Pro makes this task easy to do!